Pierre Bourdieu is professor of Sociology at the College de France. His numerous other works include Homo Academicus and Language and Symbolic Power.
During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.
Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
好看又好用,假装自己读完了。其实应该先读《情感教育》 再来读一遍第二部分的文本分析。
评分艺术的法则的另一个版本
评分the theory of fields provides a model for cultural studies
评分我始终称不上非常喜欢布迪尔的这些个观点,过于强调power n domination,说得好像文化圈满满的都是宫斗戏码,虽然不能说不是事实的一个截面,但未免也有些过了。当然了话说回来,也是一个角度,价值肯定还是有的。
评分哈哈哈哈,布迪厄太坏了。我一直觉得他的很多书如果能够“反过来”写一下,就可以变成诸如《土鳖如何进入高雅艺术殿堂》之类的畅销书拿到外面去卖。
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