Story 在线电子书 图书标签: 电影 编剧 写作 故事 美国 电影制作 screenplay 英文
发表于2024-12-22
Story 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
中文版翻阅无数次了 但是翻译之烂有些地方真的别扭到狗屁不通 直接导致我无法理解mckee先生的见地啊!! 那天iask上看到了英文原版 果断dang之 又极厌电子版 又破费将之打印 现在摸着还温热的400页心里那个激动!!
评分有些很漂亮的解剖,对于叙事本身的教学也没问题。只是我不认为narrative是电影的核心,也不认为narrative是表现人物的唯一途径。
评分看这本书之前没想到它是如此优秀的文学批评,甚至可以拿来当人生指导,不过还是在如何组织故事方面受益最多。学到的最重要的一句话是 story is a metaphor of life。一下子看清楚了文学中许多基本元素的关系。
评分Show, don't tell!
评分图解很有用,不是纯文字,作为图解狂人感觉好爽。。
Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.
After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.
Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.
After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.
In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).
In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.
Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.
In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
我不相信有谁看了《故事》之后就可以编写出好剧本,毕竟,编出好故事,不是一本书能够解决的,而且也难以速成,但我相信,读完这本书,再看电影时,视点会不一样,因为你可以站到编剧、故事的视点,去看同一部电影,你可以分析它、穿透它,从中所获得的,就超过一个普通的观众...
评分这本书号称美国电影界编剧的《福音书》。我读了之后,发现西方人对『讲故事』这一行为的研究的确已经达到一个相当先进的地步,其理论已经相当系统化,形成一种专门针对观众心智的故事设计模式。而正是这种故事理论和设计模式,支撑了整个好莱坞的工业式运作,在漫长的历史中屡...
评分最早的一本《故事》,还是在上海的时候乌青送我的。前段时间,界面的朋友邀请我给麦基做个采访,于是把这本书又重读了一遍。跟两个小朋友说这事儿,他们非常兴奋,说是熟读麦基倒背如流,于是把他俩拉过来做采访主力。先是邮件采访,问题大都是远帆提的,麦基统一录视频回答问...
评分故事是生活的隐喻,人物是人的隐喻,梦是潜意识的隐喻。《故事》拿到手上,天蓝大部头,精装烫银,俨然圣经模样。它就是一本圣经:就应该天天捧在手上,天天翻,天天奉行。它难道不是一本圣经吗:它告诉我们故事宇宙的原理,节拍连成场景,场景连成序列,上演一幕幕这个宇宙的...
评分我们大概多少都读过教育部引进翻译的国外教材,当时可能不以为然,现在想想,似乎理解内容没有遇到什么障碍。反观周铁东先生翻译的《故事》,简直莫名其妙。请问Reason,翻译成“理由”和“原因”能表述同样意思吗?我都不提那些硬着头皮意译的所谓专业名词,提它们算我欺负你...
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