Story 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Story

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Robert McKee 作者
ReganBooks
譯者
1997-11-25 出版日期
480 頁數
USD 40.00 價格
Hardcover
叢書系列
9780060391683 圖書編碼

Story 在線電子書 圖書標籤: 電影  編劇  寫作  故事  美國  電影製作  screenplay  英文   


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發表於2024-11-25

Story 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Story 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Story 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Story 在線電子書 用戶評價

評分

非常棒的劇本入門書籍,尤其開篇,遣詞用句很是享受,目測至少要再看一遍,畫一張思維導圖纔好用於應用。閱讀初心是希望可以幫助自己瞭解做做敘事性遊戲,而遊戲中的敘事,和書籍和電影的交集十分微妙,每當看到作者闡述其觀點時,總是在想,作者如果瞭解遊戲,他會在這段論述中如何擺放遊戲、文學、影視三者的關係,偶爾像是和作者在交流。唯一遺憾是書中作者舉例的很多作品都沒看過,影響瞭自己的理解性,希望未來能補看附錄電影後二刷此書。

評分

走馬觀花地看瞭一遍,可謂電影工業劇本套路手冊,劇本分析很多,take home message是一個好故事就是一連串節奏恰好令人信服的衝突和矛盾相互映襯對比而成的集閤體,尊重又不完全取悅觀眾

評分

超好的。不過還是無法同賣基老師一樣堅信“故事的重要性”。

評分

字字珠璣,精彩絕倫

評分

大概是市麵上質量較高的編劇入門教程瞭吧,輸齣的也是好萊塢的主流敘事體係和方法,作為一個門外漢,可以粗略欣賞三分之二的內容。有一點很彆扭,就是作者很像豆瓣賣弄閱片量上的KOL:寫好決定性inciting incident,要去看這個電影;主角的塑造,應該參考這些片;場景設計,有這些典範。。。潛颱詞仿佛是,連這些都沒看過,你還想當編劇?!

Story 在線電子書 著者簡介

Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.

After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.

Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.

After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.

In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).

In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.

Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.

In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.


Story 在線電子書 著者簡介


Story 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Story 在線電子書 圖書描述

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.

Story 在線電子書 下載 mobi epub pdf txt 在線電子書下載


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Story 在線電子書 讀後感

評分

晃晃推荐的这本书。去年好不容易买到手,却一直放着没看。这几天在上下班路上翻阅,真是精彩。和那些晦涩的叙事学理论相比,这个好莱坞手艺人大概要证明,只要你对一个东西有专业的洞察,就一定能够便于理解地表达出来。事实上,他对美国大学在过去几十年里,将写作教学从内在...  

評分

什么是故事?作者说故事就是变化。 用什么来划分场景?作者说场景以价值的转变为休止符。 什么是大情节?那是人持之以恒地对抗外部世界。 …… 这是著名电影人撰写的剧作教材,围绕着“故事”这一剧本的核心,把故事层层剥开,用他独创的结构体系完全重塑...  

評分

罗伯特麦基是世界公认的银幕剧作教学大师,虽然有遍撒网好打渔的嫌疑,但也足以证实他在剧作界的教父地位.教师不必然能产出优秀经典的电影作品,但他对于电影结构和制作的理解确实是精到而颇有启发. 师傅领进门,修行在个人.麦基是一个纯粹的老师,他通篇都在强调一种常识,...  

評分

1.大预算=大情节=大量观众,反之亦然。大情节,即惊奇历险故事,好莱坞型。故想要有众多观众多半需要大预算。 2. 先锋脱胎于经典形式,要先锋必先完全理解经典形式。 3. 让人物活起来的方法:研究写作人自己的记忆、想象、事实(包括书影),其他人与你的生活的差异也可以带来...  

評分

1.大预算=大情节=大量观众,反之亦然。大情节,即惊奇历险故事,好莱坞型。故想要有众多观众多半需要大预算。 2. 先锋脱胎于经典形式,要先锋必先完全理解经典形式。 3. 让人物活起来的方法:研究写作人自己的记忆、想象、事实(包括书影),其他人与你的生活的差异也可以带来...  

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