This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of Ibsen's The Master Builder and Red, the Tony-winning play about painter Mark Rothko. Logan's work as a screenwriter includes Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus and Any Given Sunday.
‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
评分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
评分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
评分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
评分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
Peter: I have grown up. Alice hears voices off.
评分the only reason boys don't grow up is because they die...
评分Perhaps we all do that when we grow up. Find safe ways to make dangerous trips. :(
评分"Children don't have hearts yet, not really. They haven't been hurt into the need for one."
评分脑残粉如我。。。(火车读物二号。
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