This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of Ibsen's The Master Builder and Red, the Tony-winning play about painter Mark Rothko. Logan's work as a screenwriter includes Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus and Any Given Sunday.
‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
評分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
評分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
評分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
評分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
深夜配閤十二國記的ost一口氣讀完,連夢境都沉重的揪心。Reality is what we have,but fantasy is what we can't live without,and still,the innocent can never last."There are no...and no...,for they can't endure the suffering of the place"美好的幻想和迴憶就請一直深眠在故事裏吧
评分indulgent and heartless... in their Wonderland, in your dreams, and in those golden afternoons....
评分聽著現場錄音看哭瞭T-T 編劇就是將兩個最美好單純的童話形象放在一起,然後往死裏虐的節奏...成長實在是最最殘酷糟心的事...
评分每晚睡前看.... 然後都是懷著憂桑地心情躺下...【接著爪機隨緣...
评分陳述兩人結局時纔意識到劇已經完瞭,感覺提瞭很多問題卻沒有真正迴答。四人交替爭論的場景很有張力,完全可以腦補。
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