Invention of Hysteria 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Invention of Hysteria

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Georges Didi-Huberman 作者
MIT Press
Hartz, Alisa 譯者
2004-10-01 出版日期
385 頁數
GBP 20.95 價格
Paperback
叢書系列
9780262541800 圖書編碼

Invention of Hysteria 在線電子書 圖書標籤: Hysteria  視覺轉嚮  藝術史書單  藝術史  科學史  法國藝術史  法國哲學  無目的學術閱讀   


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Invention of Hysteria 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

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Invention of Hysteria 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Invention of Hysteria 在線電子書 著者簡介


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Invention of Hysteria 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Invention of Hysteria 在線電子書 圖書描述

In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere.As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"--they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures."Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.

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