Joseph Conrad (born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe. Conrad is considered an early modernist, though his works contain elements of 19th-century realism. His narrative style and anti-heroic characters have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events. Writing near the peak of the British Empire, Conrad drew, among other things, on his native Poland's national experiences and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world—including imperialism and colonialism—and that profoundly explore the human psyche.

This chillingly prophetic examination of terrorism by the author of Heart of Darkness is the literary precursor to the espionage thrillers of Graham Greene and John Le Carré.

Inspired by an actual attempt to blow up the Greenwich Observatory, The Secret Agent portrays the world of late-nineteenth-century London, with its fatuous civil servants, corrupt police, and squalid underworld characters like Verloc, a pornographer acting as a government informant. Verloc’s assignment is to provoke the radicals whose group he has penetrated into committing an act of such violence that they will be discredited and their appeal to the masses destroyed. With its questionable characters and amoral caricatures, the novel is as much a black satire of English society as a frightening mirror of the present day.

With an Introduction by E. L. Doctorow and a New Afterword by Debra Romanick Baldwin