Absolutely on Music

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HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.

出版者:Knopf
作者:Haruki Murakami
出品人:
页数:352
译者:Jay Rubin
出版时间:2016-11-15
价格:USD 27.95
装帧:Hardcover
isbn号码:9780385354349
丛书系列:
图书标签:
  • 村上春树 
  • 音乐 
  • 日本 
  • 小泽征尔 
  • 古典音乐 
  • Music 
  • 音樂 
  • 日本文学 
  •  
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A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.

Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.

It is essential reading for book and music lovers everywhere.

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午后,温暖明亮的室内(不是阳台是考虑到室内更加有利于发挥音响的效果),小泽征尔与村上春树两位闲适的隔着茶几成60°角坐着,茶几上有新鲜瓜果的清香,也有他们各自喜欢的茶品和补充体力的糕点。   而另一位永远在场的第三者——悠扬的乐曲——开始回荡在房间的每个角...  

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音乐,是世界上最有魅力的语言,也是一种不需要被翻译的世界性语言。在音乐的世界里,一切都是相通的。 初次拿到这本书的时候,我觉得自己一定会非常喜欢,就是没有理由的那种坚信。就像你初次看见一个人,没有任何由来的喜欢她一样。村上是我一直都很喜欢的一位作家,他的书...  

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稍微读过村上春树作品的读者都知道,村上春树是名作家里为数不多懂音乐、迷音乐的异类,摇滚、民谣、爵士、布鲁斯、古典穿插迂回,听得很杂。他作品的趣味、情调很大一部分是由音乐撑起,《挪威的森林》就是披头士乐队的一首歌名,影响了很多文艺青年。此前他写的两册《爵士乐...  

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第一部分尤其好看。两人坐在村上家中,听着春树收藏的老碟,聊到Gould、Lenny、Karajan。

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读一半弃了。除非拿那些古典唱片一张张听来比较同一乐曲不同演奏家的诠释,这本书读下来的意义不大。

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印象最深的是小泽征尔谈Mahler 读谱的时候多么的惊为天人和与众不同 可惜我无法体会 还有因为理解伟大艺术而对时间的渴望 希望有一天我可以接近这种感觉 #First in 2017

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这本大概是永远也读不完了。挺难定位的。交响入门指南。

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这本大概是永远也读不完了。挺难定位的。交响入门指南。

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