Staging Revolution 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Xing Fan 作者

Hong Kong University Press

譯者

2018-5-1 出版日期

316 頁數

USD 65.00 價格

Hardcover

叢書系列

9789888455812 圖書編碼

Staging Revolution 在線電子書圖書標籤: 海外中國研究樣闆戲共和國社會學文革政治美學中國政治社會科學

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發表於2024-06-19

Staging Revolution 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Staging Revolution 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Staging Revolution 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Staging Revolution 在線電子書用戶評價

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對於錶演本位的京劇來說，改革意味著牽一發（如劇本）而動全身，因此形式即內容。戲改的議題包括：反映舊時代的形式如何用來錶現當代生活（反之則非驢非馬）以及如何麵對觀眾對傳統題材的偏愛。將樣闆戲的誕生放置在長時段（從延安到文革）中，指齣其政治效應建立在特定的美學價值上；從上場下場到分幕分場的劇作結構轉換；行當、流派、舊格式的「三打破」、相互藉鑒乃至重組；假嗓和大嗓的調整，對應發聲的剛柔力度；伴奏樂器的中西結閤，鼓師與樂隊指揮協調控場；調式與闆式的重組産生新的氣氛和情緒，實現瞭舊音樂呈現新社會生活節奏的理想；布景一麵趨嚮寫實，一麵仍留齣足夠空間給做打；富貴衣和勞動人民服飾上的補丁；行政乾預導演，重視角色和潛颱詞分析，調度一麵以圓為尚，一麵加入直綫路徑；崇高美學造成感性分配的失衡，而標準化意味著僵化。

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Staging Revolution 在線電子書著者簡介

Xing Fan is assistant professor in Asian theatre and performance studies at the Centre for Drama, Theatre and Performance Studies at the University of Toronto.

Staging Revolution 在線電子書著者簡介

Staging Revolution 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Staging Revolution 在線電子書圖書描述

Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement.

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