Text in English and German. Peter Hubner began his career as an orthopaedic shoemaker and moved on to cabinet-making before studying architecture. In the 1960s he became a successful designer of prefabricated buildings and sanitary units. This expertise gained him a chair in building construction at the University of Stuttgart where, in collaboration with fellow professor Peter Sulzer, he undertook a series of experiments that changed the course of his architecture. It began with an elaboration of the Walter Segal building method, but culminated in a student hostel designed, built and lived-in by architectural students at Stuttgart Universitys Vaihingen campus. Using student labour and superfluous or recycled materials it was very cheap, but it also reflected the capabilities and aspirations of its owners in a surprising and potent way, imbuing them with confidence. Hubner was struck by the importance of building as a social process, and understood that the mechanised construction he had earlier been involved in had largely taken the soul out of it. As word about the Vaihingen project got about, Hubner received requests for more cheap self-help buildings and discovered a new professional role as facilitator and ringmaster. Unable to predict how these improvised buildings would turn out, he yielded up the aesthetic control of the designer-despot in favour of experiencing the pleasure of human relationships as a project unfolds. Most new buildings are received by their users with comparative indifference, but the self-help projects engender passionate commitment, and it continues long after they are finished. People identify with the spaces they helped to determine, and naturally appropriate them. As a producer of such anarchic work, it is perhaps surprising to discover that Hubner has also long been at the forefront of CAD, but this is a natural development of systematisation, for if computers can calculate all the variants and irregularities, we need no longer conform to Fords production line. Hubner uses three-dimensional programmes which connect design directly with production. His work also responds to ecological concerns, not only through the use of recycled and low-energy materials and in avoiding toxicity, but also in passive energy collection. All these issues are explored in the book.
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《Peter Hubner》這本書,我是在一個偶然的機會下接觸到的,當時隻是被它的書名吸引,覺得這個名字帶有一種獨特的韻味。我對於那些名字本身就充滿故事感和引人遐想的書籍,總是格外感興趣。當我真正拿起它的時候,我感覺到一種踏實的重量,這讓我對書的內容更加期待。我猜測,這可能是一本關於個人成長、自我探索,或者是一個關於如何在復雜世界中尋找自己定位的故事。我希望它能給我帶來一些不同於尋常的視角,讓我能夠從新的角度去審視生活中的種種。我尤其期待作者能夠以一種細膩而深刻的方式來描繪人物的內心世界,以及他們所經曆的掙紮與蛻變。在閱讀之前,我腦海中已經構築瞭一個屬於“Peter Hubner”的形象,而我迫不及待地想知道,書中呈現給我的,是否和我所設想的一樣,或者更加齣人意料。
评分這本書,Peter Hubner,從書名來看,我就覺得它不是一本尋常的暢銷書。我喜歡那些名字背後隱藏著深度和復雜性的作品,它們往往能引導讀者進入一個更廣闊的思考空間。我不太喜歡那種一眼就能看穿的書,我更偏愛那些需要讀者主動去挖掘、去解讀的作品。當我觸摸到這本書的封麵時,我有一種預感,它可能會是一場精神上的旅程,一段關於某個個體深刻經曆的探索。我猜想,Peter Hubner這個名字,或許代錶著一種精神,一種哲學,或者是一個象徵。我期待它能以一種獨特的方式,觸及我內心深處的某些東西,讓我産生共鳴,甚至引發我對於自身存在的思考。我希望它能給我帶來一些意想不到的啓發,讓我走齣固有的思維模式,去發現新的可能性。
评分Peter Hubner,這個書名本身就有一種引人入勝的力量。我不是一個會輕易被華麗封麵吸引的人,但我對那些名字本身就充滿故事感和想象空間的書籍卻情有獨鍾。當我第一次看到《Peter Hubner》這本書時,我的腦海裏立刻湧現齣無數關於這個名字的聯想。我猜想,這可能是一部關於成長、關於迷失,或者是一個關於個體如何在時代洪流中尋找自我價值的故事。我希望它能夠以一種深刻而細膩的筆觸,描繪齣主人公的內心世界,以及他所經曆的種種挑戰和蛻變。我期待這本書能帶來一種沉浸式的閱讀體驗,讓我仿佛置身於那個世界,與書中的人物一同呼吸,一同感受。我希望它能給我帶來一些觸動,一些啓發,讓我能夠對生活有更深的理解和感悟。
评分拿到《Peter Hubner》這本書,第一眼就被它那種內斂的氣質所打動。封麵設計沒有張揚的色彩,卻有一種厚重感,仿佛訴說著故事的深度。我不是一個輕易被打動的人,但這本書的包裝,以及它所散發齣的那種“有故事”的氛圍,讓我産生瞭一種想要探究的衝動。我喜歡那些不直接告訴你答案,而是引導你去思考的書。我腦海中已經浮現齣各種關於“Peter Hubner”的可能性:他可能是個默默無聞的英雄,也可能是一個被時代遺忘的靈魂;他的人生或許充滿瞭傳奇,也或許平淡卻意味深長。我期待它能帶來一種沉浸式的閱讀體驗,讓我仿佛置身於故事的現場,感受角色的喜怒哀樂。我希望這本書能有彆於那些快餐式的讀物,它需要的是細細咀嚼,反復迴味。我已經準備好,在這個鞦天的午後,伴隨著一杯熱茶,去解鎖Peter Hubner的秘密。
评分這本書,名字叫 Peter Hubner,我最近纔拿到手,還沒來得及細細品讀,但光是翻閱目錄和序言,就隱隱覺得這是一本不尋常的作品。封麵的設計簡潔而有力,沒有浮誇的圖飾,隻有沉靜的字體,仿佛在邀請讀者進入一個深邃的世界。我最開始是被它書名中那個略帶神秘色彩的名字所吸引,Peter Hubner,聽起來就像一個生活在某個遙遠角落,擁有不為人知故事的人物,讓我不禁聯想翩翩。我猜想,這本書或許會像一位老友在壁爐旁娓娓道來的往事,又或許是一位智者在晨曦中點撥迷津的箴言。我對其中可能探討的主題充滿瞭好奇,是關於人性的探索,還是對社會現象的剖析?是曆史的片段,還是哲學的思辨?總之,在尚未深入之前,它已經在我心中種下瞭無數的可能性,迫不及待地想要去一一揭曉。我希望它能給我帶來心靈的觸動,思想的啓迪,甚至是一些意想不到的驚喜。
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