Gender in Play on the Shakespearean Stage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Gender in Play on the Shakespearean Stage

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Shapiro, Michael 作者
Univ of Michigan Pr
譯者
1996-7 出版日期
296 頁數
$ 31.58 價格
Pap
叢書系列
9780472084050 圖書編碼

Gender in Play on the Shakespearean Stage 在線電子書 圖書標籤: Shakespeare  Gender   


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Gender in Play on the Shakespearean Stage 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Gender in Play on the Shakespearean Stage 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Gender in Play on the Shakespearean Stage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Gender in Play on the Shakespearean Stage 在線電子書 著者簡介


Gender in Play on the Shakespearean Stage 在線電子書 著者簡介


Gender in Play on the Shakespearean Stage 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Gender in Play on the Shakespearean Stage 在線電子書 圖書描述

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity.Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": "The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, "and "Cymbeline. "Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations."Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --ChoiceMichael Shapiro is Professor of English, University of Illinois, Urbana.

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