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Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks)
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Paul Griffiths 作者
Oxford University Press, USA
譯者
1996-04-11 出版日期
388 頁數
USD 45.00 價格
Paperback
叢書系列
9780198165118 圖書編碼

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 圖書標籤: 現代音樂  music  and  after  Modern   

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發表於2024-11-23

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 著者簡介

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 著者簡介

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Modern Music and After - Directions Since 1945 (Clarendon Paperbacks) 在線電子書 圖書描述

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. 'We live' as Griffiths says, 'among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge. In addition to the composers mentioned above, others whose music is discussed include Steve Reich, Jean Barraque, Elliott Carter, Olivier Messiaen, Gyorgy Kurtag, Bill Hopkins, Harrison Birtwhistle and Gyorgy Ligeti. Publication and recording details are given for the works of all these composers and many others. For its breadth and for its wealth of detail, Modern Music and After will appeal to both student and the general reader in search of a lively and comprehensive introduction to the music of our time.

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