The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Pictures Generation, 1974-1984 (Metropolitan Museum of Art)

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Douglas Eklund 作者
Metropolitan Museum of Art
譯者
2009-05-26 出版日期
224 頁數
USD 60.00 價格
Hardcover
叢書系列
9780300148923 圖書編碼

The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 圖書標籤: Photography   


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The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 著者簡介


The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 著者簡介


The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Pictures Generation, 1974-1984 (Metropolitan Museum of Art) 在線電子書 圖書描述

This handsome book is the first comprehensive examination of the Pictures Generation, a loosely knit group of artists working in New York from the mid-1970s to the mid-1980s. The overarching subject of the work of these artists was imagery itself - how pictures not only depict but also shape how we perceive the world and ourselves. The collective achievement of this group is an extremely important chapter in the history of contemporary art. Born into an expanding media and consumer culture and educated in the strategies of Minimal and Conceptual art, the artists of the Pictures Generation, including Robert Longo, Richard Prince, David Salle, and Cindy Sherman, chose to return to representation, addressing the rhetorical, social, and psychological functions of the image across all media (photography, painting and sculpture, drawings and prints, film and video, and music and performance).While the careers of these artists are typically considered in isolation, this catalogue traces their complex interrelationships and mutual development, beginning with the emergence of a group sensibility characterized by techniques of distancing and theatricality and ending with a resurgence of painting by mostly male artists (which was contested by women artists working in media such as video, photography, and installation).

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