Lydia Davis, acclaimed fiction writer and translator, is famous in literary circles for her extremely brief and brilliantly inventive short stories. In fall 2003 she received one of 25 MacArthur Foundation “Genius” awards. In granting the award the MacArthur Foundation praised Davis’s work for showing “how language itself can entertain, how all that what one word says, and leaves unsaid, can hold a reader’s interest. . . . Davis grants readers a glimpse of life’s previously invisible details, revealing new sources of philosophical insights and beauty.” In 2013 She was the winner of the Man Booker International prize.
Davis’s recent collection, “Varieties of Disturbance” (May 2007), was featured on the front cover of the “Los Angeles Times Book Review” and garnered a starred review from “Publishers Weekly.” Her “Samuel Johnson Is Indignant” (2001) was praised by “Elle” magazine for its “Highly intelligent, wildly entertaining stories, bound by visionary, philosophical, comic prose—part Gertrude Stein, part Simone Weil, and pure Lydia Davis.”
Davis is also a celebrated translator of French literature into English. The French government named her a Chevalier of the Order of Arts and Letters for her fiction and her distinguished translations of works by Maurice Blanchot, Pierre Jean Jouve, Michel Butor and others.
Davis recently published a new translation (the first in more than 80 years) of Marcel Proust’s masterpiece, “Swann’s Way” (2003), the first volume of Proust’s “In Search of Lost Time.” A story of childhood and sexual jealousy set in fin de siecle France, “Swann’s Way” is widely regarded as one of the most important literary works of the 20th century.
The “Sunday Telegraph” (London) called the new translation “A triumph [that] will bring this inexhaustible artwork to new audiences throughout the English-speaking world.” Writing for the “Irish Times,” Frank Wynne said, “What soars in this new version is the simplicity of language and fidelity to the cambers of Proust’s prose… Davis’ translation is magnificent, precise.”
Davis’s previous works include “Almost No Memory” (stories, 1997), “The End of the Story” (novel, 1995), “Break It Down” (stories, 1986), “Story and Other Stories” (1983), and “The Thirteenth Woman” (stories, 1976).
Grace Paley wrote of “Almost No Memory” that Lydia Davis is the kind of writer who “makes you say, ‘Oh, at last!’—brains, language, energy, a playfulness with form, and what appears to be a generous nature.” The collection was chosen as one of the “25 Favorite Books of 1997” by the “Voice Literary Supplement” and one of the “100 Best Books of 1997” by the “Los Angeles Times.”
Davis first received serious critical attention for her collection of stories, “Break It Down,” which was selected as a finalist for the PEN/Hemingway Award. The book’s positive critical reception helped Davis win a prestigious Whiting Writer’s Award in 1988.
She is the daughter of Robert Gorham Davis and Hope Hale Davis. From 1974 to 1978 Davis was married to Paul Auster, with whom she has a son, Daniel Auster. Davis is currently married to painter Alan Cote, with whom she has a son, Theo Cote. She is a professor of creative writing at University at Albany, SUNY.
Davis is considered hugely influential by a generation of writers including Jonathan Franzen, David Foster Wallace and Dave Eggers, who once wrote that she "blows the roof off of so many of our assumptions about what constitutes short fiction."
The Collected Stories of Lydia Davis is an event in American letters.
Lydia Davis is the author of one novel and seven story collections, the most recent of which was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur Fellowship and was named a Chevalier of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers including Maurice Blanchot, Michel Leiris, and Marcel Proust.
Lydia Davis is one of our most original and influential writers, a storyteller celebrated for her inventiveness, and her ability to capture the mind in overdrive. She has been called "an American virtuoso of the short story form" (Salon) and "one of the quiet giants . . . of American fiction" (Los Angeles Times Book Review). This volume contains all her stories to date, from the acclaimed Break It Down (1986) to the 2007 National book Award finalist Varieties of Disturbance.
我承认:在读过罗伯格里耶之后,再没读到这么令人兴奋、惊讶,甚至目瞪口呆的小说了。 戴维斯真的可以称为一位美国小说家吗?难道她不是走在法语文学的传统上,与其将其与海明威、卡佛等摆在一起,还不如去细细分析下她与格里耶、西蒙、贝克特、布朗肖或图森等人在小说创作上的...
評分说实在的,《几乎没有记忆》是我新年买的第一部小说,在一片叫好声中,我也想找到阅读的快感,重拾阅读的快乐。当2月1日书终于送到我手里的时候,我是兴奋的,因为,书的封面、排版等等都非常漂亮。 一、不得不说,戴维斯的文字给我了快乐 读戴维斯的小说很方...
評分几年前,当我读完朱岳的《睡觉大师》,它带给我的快乐感久久不肯散去。《睡觉大师》也许称不上是伟大的小说,但肯定是最有趣的小说之一。如果单说文本实验,国内的小说家有几个能与朱岳相比?那些矛盾文学奖又算什么。有一天,朱岳和我说,他责编了一本莉迪亚·戴维斯的小说集...
評分关于自我的哲学家——莉迪亚·戴维斯 它们丢了,但它们没有消失而是在这个世界的某处。它们大多数很小,虽然有两件大一些,一个是一件外套另外一个是一条狗。在那些小物件中,其中一个是一枚价格不菲的戒指,还有一个是一粒贵重的纽扣。它们从我和我所在的地方丢失了,但它们...
評分读这本小说的感觉,是触到了什么却又抓不住什么。像一只轻柔的手拂过心头,痒痒的,又抓不住这只作恶的手。 有很长很绕的句子,在刚有点清晰一点的体会时,这一绕,好,又不知思绪被揉搓成什么样子了。 刚开始很是诧异,为何这本小说有如此高的豆瓣评分,最初也是...
先是遍尋不到,後來找到電子版,再後來在書店裏一眼發現。閱讀過程中有種接通腦電波的快樂。
评分讀個兩三篇覺得語感奇特。這麼多篇放在一起算……行為藝術?
评分其實就是英文版的簡短私小說 基本是第一人稱或者第三人稱的心理旁白和描述 第一次讀到用高中英文單詞可以寫齣大學四級閱讀理解 作者屬於玩耍文字的高手 可惜沒有核的小說文字再妙也不覺得好
评分Some really sharp, witty pieces.
评分彆叫我,我要躺下
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