Painting as Business in Early Seventeenth-century Rome 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Painting as Business in Early Seventeenth-century Rome

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Cavazzini, Patrizia 作者
The Pennsylvania State University Press
譯者
2008-10 出版日期
264 頁數
$ 98.25 價格
叢書系列
9780271032153 圖書編碼

Painting as Business in Early Seventeenth-century Rome 在線電子書 圖書標籤: EMI   


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發表於2024-11-10

Painting as Business in Early Seventeenth-century Rome 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Painting as Business in Early Seventeenth-century Rome 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Painting as Business in Early Seventeenth-century Rome 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Painting as Business in Early Seventeenth-century Rome 在線電子書 著者簡介

Patrizia Cavazzini is an independent scholar. She is the author of Palazzo Lancellotti ai Coronari: Cantiere di Agostino Tassi (1998).


Painting as Business in Early Seventeenth-century Rome 在線電子書 著者簡介


Painting as Business in Early Seventeenth-century Rome 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Painting as Business in Early Seventeenth-century Rome 在線電子書 圖書描述

"Painting as Business in Early Seventeenth-Century Rome" offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini's extensive archival research reveals a substantially different situation.Cavazzini presents lively and colorful accounts of Roman artists' daily lives and apprenticeships and investigates the vast, popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. "Painting as Business" reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the world of the production, training, collecting, and merchandising of painting during a key period in Italian art history.

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