How to Look at a Painting

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Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.

出版者:Frances Lincoln
作者:Barbe-Gall, Francoise
出品人:
页数:312
译者:
出版时间:2011-3-1
价格:USD 24.95
装帧:Paperback
isbn号码:9780711232129
丛书系列:
图书标签:
  • 艺术 
  • 艺术史 
  • 美术 
  • 艺术评论 
  • 绘画 
  • 英文版 
  • 观看 
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  •  
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Which of us, when finding ourselves in the presence of a painting, has not sensed that we lack the keys to decipher it? We feel an emotional response, but the work still seems to evade our understanding.

Francoise Barbe-Gall combines a nuanced understanding of the way viewers respond to paintings with a rich knowledge of their context and circumstances of their creation. The result is like a tour of a dazzlingly eclectic museum in the company of a gentle yet authoritative guide.

She takes as her point of departure the impressions that we all feel when confronted by a canvas and takes us on a voyage of discovery fired by her own passionate enthusiasm for the subject. What is the painting’s relationship with the real world? Has the artist idealized nature, or distorted it? Did they want to shock the viewer, or provide consolation? With a clear approach and straightforward yet subtle analysis, the meaning of each work slowly becomes clear.

From Raphael’s penetrating character study of Castiglione, through Hopper’s cinematic take on the wee small hours of the morning Barbe-Gall begins by covering a number of ostensibly realistic works, made from the stuff of everyday life. Going in quite the other direction, she looks at the way paintings can express moments of heightened reality, from the perfection of Boticelli’s Primavera to the arresting glance of Vermeer’s girl with the Pearl Earring. She discusses paintings that distort the visible world (Parmigianino’s Madonna with an improbably long neck to Dali’s melting clocks) and those that sow confusion to make us more vigilant and pay closer attention to the real world (Cezanne’s depiction of a forest glade, or a mysterious fifteenth century altarpiece). Questions of history, style, iconography and composition are not neglected and are dealt in context of the paintings she discusses.

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作者提出,要珍惜我们看一幅画时的直观感受,并且以不同体验作为标准,提供了4种不同的欣赏策略。简单回顾一下:第一类,面对表现简单事实的绘画,引导我们挖掘表象之下隐藏着的戏剧性;第二类,并不是所有绘画都表现日常,面对那些表现理想和崇高的绘画,我们可以带着一种敬畏...  

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文/Peter Wang(微信zaiyunduan1084) 最近看了两本跟赏画有关的书,一本是这个,还有一个就是《小顾聊绘画》,看完两本书,我自己在微信群跟人讲了一次课,名字就叫《如何看懂一幅画》。今天,我把我讲课的实录写到这里,算作是本书的一个读书笔记。 【文字实录】 我今天要...  

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文/Peter Wang 最近看了两本跟赏画有关的书,一本是这个,还有一个就是《小顾聊绘画》,看完两本书,我自己在微信群跟人讲了一次课,名字就叫《如何看懂一幅画》。今天,我把我讲课的实录写到这里,算作是本书的一个读书笔记。 【文字实录】 我今天要讲的呢,主要就三个问题...  

评分

作者提出,要珍惜我们看一幅画时的直观感受,并且以不同体验作为标准,提供了4种不同的欣赏策略。简单回顾一下:第一类,面对表现简单事实的绘画,引导我们挖掘表象之下隐藏着的戏剧性;第二类,并不是所有绘画都表现日常,面对那些表现理想和崇高的绘画,我们可以带着一种敬畏...  

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重点在于:直接接近每件作品的能力;就像我们去见某个人之前,不可能事先知道他或她的过去。 克制,是人类庄严的一种表现。 巴尔达萨雷·卡斯蒂利奥内 《廷臣论》 康斯博罗的风景“让人安心,温柔动人” 现代虔诚devotio moderna 《效法基督》Imitation de jesus-christ ...  

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