Few have failed to be charmed by the witty and independent spirit of Elizabeth Bennet. Her early determination to dislike Mr. Darcy is a prejudice only matched by the folly of his arrogant pride. Their first impressions give way to true feelings in a comedy profoundly concerned with happiness and how it might be achieved.
Edited with an Introduction by Vivien Jones
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among scholars and critics.
Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she then abandoned, and wrote and extensively revised three major novels and began a fourth.[B] From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her works, though usually popular, were first published anonymously and brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture.
对《傲慢与偏见》几个中译本的比较 1.0 文中所描述文本为简•奥斯丁小说《傲慢与偏见》(《Pride and Prejudice》)英文版本一个,用以校验,以下简称O版;中文版本四个,分别为人民文学、上海译文、译林和北京燕山版,以下分别简称A、B、C和D版。 1.1 O版 ‘If you mean Da...
评分Taking place in the early 1800's, Pride and Prejudice is a romantic comedy of Mr. and Mrs. Bennet, their five daughters, and the various romantic adventures at their Hertfordshire residence of Longbourn, and mainly narrates the clash between Elisabeth ...
评分看到中途,我有些不愿再继续看,因为大概猜到了达西和伊丽莎白的美满结局,而我是极不喜欢或大悲或大喜的结局的,刚好耽搁下来,便闲置了很久。重拾起来,便一鼓作气看完,想要说的话很多,却无奈表达不出。 每看到一段感情多么圆满或无疾而终都会让我为自己难过...
评分 评分奥斯汀给予我们一枚水晶球,球里四根红线,四座宅子里的爱情,几条驿道,颠簸的马车连起四对人的婚姻,有啼笑皆非,也有可以噙泪而笑!当然我是向往噙泪而笑的婚姻,在阅读中投入自己,见证他们的从误解走向心扉敞开,从缄而不语到互吐衷肠泪和笑,泪因他们崎岖坎坷,历经考验...
从文学技法的角度来看,这部经典的确有着令人称道的结构布局。它并非简单地讲述一个爱情故事,而是巧妙地将两条线索并行推进:一条是外部的社交礼仪与家族关系的演变,另一条则是内在的自我认知与情感成熟的过程。这种双重叙事结构,使得小说的层次感大大增强。我们见证了主人公如何从最初的误判与傲慢中逐渐清醒,认识到自己和他人身上的盲点。这种“顿悟”的过程,处理得极其细腻和自然,没有突兀的说教感。它更像是一场漫长而艰辛的内心修行,充满了反复和挫折。我特别欣赏作者对环境渲染的笔触,那些关于乡村庄园、小镇生活和贵族府邸的描述,无一不精准地烘托了人物的心境和所处的社会氛围。文字本身就带着一种古典的韵律美,读起来简直是一种享受。
评分啊,说实话,第一次翻开这本书时,我其实是抱着一种“可能有点沉闷”的预期的,毕竟是那个年代的作品嘛。结果,完全出乎意料!它的节奏感把握得非常好,不是那种拖沓的叙事,而是充满了机锋和火花。那些对话,简直是教科书级别的精彩!充满了讽刺、机智和恰到好处的误解,每一句一来一往都像是一场高水平的击剑比赛,你来我往,招招致命却又充满美感。我特别喜欢看主角们如何通过语言的交锋来展现自己的立场和心性。而且,支撑整个故事前进的,不仅仅是浪漫的想象,更是一种对社会现实的冷静审视。那种关于财富、婚姻和体面生活的探讨,虽然背景设定在过去,但其核心议题——如何保持自我尊严,如何在社会期望与个人幸福之间找到平衡点——在今天看来,依然是那么的贴切和引人深思。这本书的耐读性极高,每一次都会因为关注点的不同,而产生截然不同的阅读体验。
评分这部作品成功地塑造了一系列令人难忘的“怪人”。我说的“怪”,并非贬义,而是指那些个性鲜明到几乎有些脱离主流的形象。有那种永远摆着一张精英架子,目中无人的贵族,也有那种热衷于无休止的自我感伤和夸张表演的教区牧师,当然,还有那些局外人眼中看似固执己见,实则内心充满正直与骄傲的核心人物。这些人物的群像描绘,构建了一个生动、复杂且略带荒诞感的社会微观生态。正是这些性格的碰撞与摩擦,才使得整个故事充满了戏剧张力。作者似乎很擅长捕捉人性的那些微小瑕疵——自负、偏见、轻率的判断——并把它们放大,让读者在不适之余,又不得不承认其真实性。读完后,你很难忘记那些人物的音容笑貌,他们就像真实存在过一样,活在了你的记忆里,让人忍不住去思考:在那个时代,他们是如何挣扎求生的。
评分我必须承认,这本书对于“误会”的精妙运用简直达到了出神入化的地步。它让我们看到,多少次本可以避免的痛苦和隔阂,仅仅是因为一方的先入为主和另一方的拙劣表达而产生。每一次关键性的误解解开,都伴随着巨大的情感释放和人物关系的重塑。这种对信息不对称的文学处理,极大地增强了读者的代入感——我们比某些角色更早地看清真相,因此产生了一种既替他们着急又为真相大白而欣慰的复杂情绪。它教会了我,在评判任何一个人或事之前,必须放下自己预设的滤镜,真正地去倾听、去观察,去理解他们行为背后的真正动机和局限。这部作品不仅仅是关于寻找爱情,它更是一部关于如何学会“看清”世界的教科书,其价值远远超出了单纯的浪漫范畴。
评分这部小说的魅力简直无法用言语完全捕捉,它像一幅精美绝伦的十九世纪英国乡村画卷,徐徐在我们面前展开。作者对于人物内心的细致描摹,简直令人叹为观止。那些错综复杂的情感纠葛,那些隐藏在礼仪和得体之下的暗流涌动,都被刻画得入木三分。读着读着,我仿佛置身于那些华丽的舞会之中,能清晰地感受到空气中弥漫的紧张与期待;我也能体会到在那些充满偏见的审视目光下,年轻心灵所承受的巨大压力。尤其值得称道的是,小说对于社会阶层的微妙划分及其对个体命运的影响,展现得尤为深刻。那种无形的墙壁,是如何阻碍真挚情感的交流,又是如何塑造了不同人物的性格底色,都值得我们反复咀悦。每一次重读,都会有新的感悟,仿佛挖掘出了隐藏在华丽辞藻之下的更深层次的社会批判与人情洞察。那种对人性的洞悉,穿越时空,至今依然具有强大的穿透力,让人不得不对作者的智慧表示由衷的敬佩。
评分我也来个双重否定:我不是不真爱你。
评分为了纪念奥斯汀诞辰235周年而买下。。。introduction也写得很赞~~~
评分对无知、自私、愚蠢的刻画比较到位。
评分“Only deep love will persuade me to marry.”在阶级森严,性别角色固化的19世纪初,Elizabeth对爱情与幸福的追求无疑是振聋发聩的。最触动我的不是期待中的误解和解与happy ever after,而是Charlotte坦诚地对Lizzy说我已经27了,I can’t afford to be romantic,是Lizzy自己在求婚希望渺茫中的孤立无援,家人在面对即将发生的丑闻时的恐慌,这些都是浪漫华袍下的惨淡现实。事实上,只有很少的人能遇见生命中的Darcy。但我们能做的,是成为那个世俗眼光中坚定的Elizabeth。beautifully composed & needs a better ending:)))
评分It is a nice writen novel.
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