A Portrait of the Artist as a Young Man

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James Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his life as a writer in exile in Paris, Trieste, Rome, and Zurich. On one trip back to Ireland, he fell in love with the now famous Nora Barnacle on June 16, the day he later chose as “Bloomsday” in his novel Ulysses. Nara was an uneducated Galway girl who became his lifelong companion an the mother of his two children. In debt and drinking heavily, Joyce lived for thirty-six years on the Continent, supporting himself first by teaching jobs, then trough the patronage of Mrs. Harold McCormick (Edith Rockerfeller) and the English feminist and editor Harriet Shaw Weaver. His writings include Chamber music (1907), Dubliners (1914), A Portrait of the Artist as a Young Man (1916), Exiles (1918), Ulysses (1922), Poems Penyeach (1927), Finnegans Wake (1939), and an early draft of A Portrait of a Young Man, Stephan Hero (1944). Ulysses required seven years to complete, and his masterpiece, Finnegans Wake, took seventeen. Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941.

出版者:Penguin Classics
作者:James Joyce
出品人:
頁數:384
译者:
出版時間:2003-3-1
價格:GBP 9.99
裝幀:Paperback
isbn號碼:9780142437346
叢書系列:
圖書標籤:
  • JamesJoyce 
  • 愛爾蘭文學 
  • 小說 
  • Joyce 
  • 愛爾蘭 
  • 外國文學 
  • 英文原版 
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Published in 1916, James Joyce's semiautobiographical tale of his alter ego, Stephen Dedalus, is a coming-of-age story like no other. A bold, innovative experiment with both language and structure, the work has exerted a lasting influence on the contemporary novel.

'Joyce dissolved mechanism in literature as effectively as Einstein destroyed it in physics,' wrote Alfred Kazin. 'He showed that the material of fiction could rest upon as tense a distribution and as delicate a balance of its parts as any poem. Joyce's passion for form, in fact, is the secret of his progress as a novelist. He sought to bring the largest possible quantity of human life under the discipline of the observing mind, and the mark of his success is that he gave an epic form to what remains invisible to most novelists.... Joyce means many things to different people; for me his importance has always been primarily a moral one. He was, perhaps, the last man in Europe who wrote as if art were worth a human life.... By living for his art he may yet have given others a belief in art worth living for.'

具體描述

讀後感

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读乔伊斯读得太晚,一如我的冗杂浑沌的人生,早早蜷于幻想,耽于审美。 一面如此渴求着真实,一面却缘木求鱼般久久踯躅在封闭、自溺的体系。 执着于愿望,却忽视了能力;逃避丑恶,却也逃避了责任;厌弃功利,却甚或因此早早迷失自我的方向。 乔伊斯的身上有如此深厚、宽广...  

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读书|1925.詹姆斯·乔伊斯《一个青年艺术家的画像》 喜欢他那犹如一个人的喃喃自语般的叙述。从记事儿的儿时开始。在缓缓的水流中,将思想的河床冲洗的清晰明了。犹如山里的一股清泉。甘甜。还有点凉。也如同攀登一座没有被石头铺砌而成直通山顶的道路的深山一样。走着走着,一...  

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“我将去面对无数的现实经历,将在我那灵魂的作坊里打造我的民族所不曾有的良心。” 读到这里,《一个青年艺术家的画像》结束了。当我怀着难以平复的激动心情合上书页,这本薄薄的小说在我的内心深处激荡起层层的涟漪,我的视线不禁长久的停留在封面上方小说题目里的这几个字上...  

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原文Stephen went on:     ——Pity is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the human sufferer. Terror is the feeling which arrests the mind in the presence of whatso...  

用戶評價

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一本不想讀完的書

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近乎意識流的東西除瞭從頭到尾跟著節奏讓自己的意識也跟著走一番之外,沒有瞭解小說的第二個途徑瞭,可到瞭最後一頁的時候又有點恍然若失,不知道這是自己的心情呢還是Stephan的意識瞭。會做夢的作傢已經很少瞭。造夢的作傢已經很少瞭。

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Prufrock or Dedalus? 雖然我的畢業論文被無知的老師忽略瞭,but Little Stephen is always there.喬伊斯你的英語是穿越窗欞的光和飛揚的塵。我一直覺得安妮霍爾開片伍迪艾倫講他小時候傢裏的一個飯局,有點模仿這本書裏最前麵喬伊斯寫傢

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跟這本比起來,hesse的steppenwolf就是渣啊。。喬伊斯與福剋納兩座大山是給我許多對英語文學自信力的。雖然不小心又被帶入瞭,但是內心又覺得,有些部分真的可以寫進小說裏麼。。。置身於主人公的語境下,我大概是沒有那樣的獨立與勇氣的,也讓我重新對流亡有瞭更深的認識。如果說這本書講的是作為喚醒的藝術的話,這本書本身對於我來說就是喚醒。我的vocation又是什麼呢?

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第三章如天書(滿紙的God), 第五章令人摺服. 封底介紹這是喬伊斯最易懂(the most accessible)的一本書, 但不細讀、重讀, 怕也是入寶山空手迴. Style: free indirect speech.

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