S/Z 在线电子书 图书标签: 罗兰·巴特 结构主义 文艺理论 哲学 法国 RolandBarthes 语言学 法國文學
发表于2025-02-16
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五体投地
评分Barthes自己画了个圈圈叫结构主义,说sarrasine 是readerly,自己的是writerly。最后转来转去把自己给套住了。解构主义才是我的爱
评分Barthes自己画了个圈圈叫结构主义,说sarrasine 是readerly,自己的是writerly。最后转来转去把自己给套住了。解构主义才是我的爱
评分极为好看(在我能够理解到的范围内)!五种符码本身并无太多出彩之处,妙就妙在穿插在符码剖析之间的闲笔逸墨,信手写去,然巴特本人对叙事文本最精微要妙的洞察均见于此,esp. 古典小说作为replete Literature, 关于美的描述之不可能,论文化符码,Starred Text,能指所指之间的双向机制,对所指的召唤,对universal law的拆解和文本的plurality……全无章法又无所不包,只有法国人才写得出的书啊。
评分好吧,其实没怎么看懂。。。
罗兰·巴特(Roland Barthes,1915-1980)被认为是继萨特之后法国知识界的领袖人物,蒙田之后最富才华的散文家。他在符号、精神分析批评、释义学、解构主义诸领域都有卓越建树,对西方文化和文化研究影响深远。
Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. "S/Z" is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." "Language was both a luxury and a discipline for Barthes. He pursued a subject through language until he cornered it, until its disguise fell away and it was revealed in a kind of epiphany. In his own way, he cleaned the face of Paris more thoroughly than Andre Malraux did when he ordered its buildings washed down to their original colors and arranged for lights to be played upon them. Musing on the kind of painting done by someone like Ingres, Barthes says that 'painters have left movement the amplified sign of the unstable . . . the solemn shudder of a pose impossible to fix in time . . . the motionless overvaluation of the ineffable.' This might also serve as his definition of classical French prose, and in order to escape its encroachment, Barthes prodded, squeezed and sniffed at language, like a great chef buying fruits and vegetables. He munched distinctions. His sentence rhythms were those of a man who talks with his hands."--Anatole Broyard
迷恋罗兰·巴特,喜欢《S/Z》《神话修辞术》《恋人絮语》《新批评论文集》《中性》,几天之内连续阅读,抬头之际,有如下遐思…… *** 我是个悲观的享乐主义者(奉行享乐的悲观主义者)。 享乐既是麻痹也是升华,在享乐中时间的经验得以消除,如同一种死亡的状态。然而这不是...
评分 评分罗兰巴特,学术地位不多说了。可是这位老人家,就是从评论家角度看待文学,创造了一系列概念。文本。但是又没说清楚,现在争议不断。让我们这些学生吃了不少苦头,总算把概念弄清了,痛不欲生。所以,想到以前同学的话,发明那么多术语干嘛,背都背不清。 不能承受的历史之重。...
评分“我沉陷在酣浓的白日梦中”,这是开局,和某一篇小说无关,那是1830年11月的叙事,和一篇文论无关,那也是1968年12月才有的阅读,在距离两个世纪的写作和一个世纪的阅读之后,我在一个初春的日子,毫无征兆的开始了我的酣浓白日梦旅程,没有方向,甚至没有过程,只是沉沉地趴...
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