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罗兰·巴特（Roland Barthes，1915-1980）被认为是继萨特之后法国知识界的领袖人物，蒙田之后最富才华的散文家。他在符号、精神分析批评、释义学、解构主义诸领域都有卓越建树，对西方文化和文化研究影响深远。
- 罗兰·巴特
- 结构主义
- 文艺理论
- 哲学
- 法国
- RolandBarthes
- 语言学
- 法國文學
Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. "S/Z" is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." "Language was both a luxury and a discipline for Barthes. He pursued a subject through language until he cornered it, until its disguise fell away and it was revealed in a kind of epiphany. In his own way, he cleaned the face of Paris more thoroughly than Andre Malraux did when he ordered its buildings washed down to their original colors and arranged for lights to be played upon them. Musing on the kind of painting done by someone like Ingres, Barthes says that 'painters have left movement the amplified sign of the unstable . . . the solemn shudder of a pose impossible to fix in time . . . the motionless overvaluation of the ineffable.' This might also serve as his definition of classical French prose, and in order to escape its encroachment, Barthes prodded, squeezed and sniffed at language, like a great chef buying fruits and vegetables. He munched distinctions. His sentence rhythms were those of a man who talks with his hands."--Anatole Broyard
具体描述
读后感
罗兰·巴特在《S/Z》中提出了文本中的五种符码，他用符码的观点分析了巴尔扎克的小说《萨拉辛》，Strongart教授感觉这个符码不仅适合于文学作品，还应该可以应用于其他的叙事艺术，下面就来用它分析一下著名动漫作品圣斗士星矢。 符码的英文是code，在计算机科学中又被...
评分-得唔得啩？ -得意已忘言之嘛…… 上述對話看似牛頭不對馬嘴——卻是極富“S/Z”精神的——分裂合一總合宜 以《莊子集釋》的吃法看本書 倏地覺得巴特很東方很中國 可是後結構主義符號語言學的大高帽子一套之又全然非也 此即本書sexy之處hentai之處了吧 當初在復旦小書店淘寶...
评分“我沉陷在酣浓的白日梦中”，这是开局，和某一篇小说无关，那是1830年11月的叙事，和一篇文论无关，那也是1968年12月才有的阅读，在距离两个世纪的写作和一个世纪的阅读之后，我在一个初春的日子，毫无征兆的开始了我的酣浓白日梦旅程，没有方向，甚至没有过程，只是沉沉地趴...
评分 评分用户评价
五体投地
评分对Barthes也是真爱了 啃到凌晨两点 竟然不嫌烦。。。。
评分极为好看（在我能够理解到的范围内）！五种符码本身并无太多出彩之处，妙就妙在穿插在符码剖析之间的闲笔逸墨，信手写去，然巴特本人对叙事文本最精微要妙的洞察均见于此，esp. 古典小说作为replete Literature, 关于美的描述之不可能，论文化符码，Starred Text，能指所指之间的双向机制，对所指的召唤，对universal law的拆解和文本的plurality……全无章法又无所不包，只有法国人才写得出的书啊。
评分极为好看（在我能够理解到的范围内）！五种符码本身并无太多出彩之处，妙就妙在穿插在符码剖析之间的闲笔逸墨，信手写去，然巴特本人对叙事文本最精微要妙的洞察均见于此，esp. 古典小说作为replete Literature, 关于美的描述之不可能，论文化符码，Starred Text，能指所指之间的双向机制，对所指的召唤，对universal law的拆解和文本的plurality……全无章法又无所不包，只有法国人才写得出的书啊。
评分中文反倒比英文难懂。
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