S/Z

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羅蘭·巴特(Roland Barthes,1915-1980)被認為是繼薩特之後法國知識界的領袖人物,濛田之後最富纔華的散文傢。他在符號、精神分析批評、釋義學、解構主義諸領域都有卓越建樹,對西方文化和文化研究影響深遠。

出版者:Hill and Wang
作者:Roland Barthes
出品人:
頁數:282
译者:
出版時間:1975-01-01
價格:USD 17.00
裝幀:Paperback
isbn號碼:9780374521677
叢書系列:
圖書標籤:
  • 羅蘭·巴特 
  • 結構主義 
  • 文藝理論 
  • 哲學 
  • 法國 
  • RolandBarthes 
  • 語言學 
  • 法國文學 
  •  
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Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. "S/Z" is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." "Language was both a luxury and a discipline for Barthes. He pursued a subject through language until he cornered it, until its disguise fell away and it was revealed in a kind of epiphany. In his own way, he cleaned the face of Paris more thoroughly than Andre Malraux did when he ordered its buildings washed down to their original colors and arranged for lights to be played upon them. Musing on the kind of painting done by someone like Ingres, Barthes says that 'painters have left movement the amplified sign of the unstable . . . the solemn shudder of a pose impossible to fix in time . . . the motionless overvaluation of the ineffable.' This might also serve as his definition of classical French prose, and in order to escape its encroachment, Barthes prodded, squeezed and sniffed at language, like a great chef buying fruits and vegetables. He munched distinctions. His sentence rhythms were those of a man who talks with his hands."--Anatole Broyard

具體描述

讀後感

評分

巴特的《S/Z》系他1968年与1969年两个学年研讨班上实验记录(“工作印记”)。此书为已经转向后结构主义的巴特解读巴尔扎克短篇小说《萨拉辛》的阅读性文本。文内第1-9节(共93节)中,巴特专门言说了此时他眼中的(后现代)阅读。 要言及阅读,必先涉及阅读的对象——文本、...  

評分

罗兰·巴特在《S/Z》中提出了文本中的五种符码,他用符码的观点分析了巴尔扎克的小说《萨拉辛》,Strongart教授感觉这个符码不仅适合于文学作品,还应该可以应用于其他的叙事艺术,下面就来用它分析一下著名动漫作品圣斗士星矢。 符码的英文是code,在计算机科学中又被...  

評分

巴尔扎克的《萨拉辛》是一篇并不引人注目的短篇小说,但是,当它与罗兰巴特相遇时,沧海遗珠一变而为风光月霁,巴特以精湛手术般的解读,逐字逐句,将小说推到了无以伦比、令人绝倒的结构分析高度。 《萨拉辛》本身是一篇传统的现实主义手法小说。在衣香鬓影的朗蒂宅邸晚会...  

評分

評分

迷恋罗兰·巴特,喜欢《S/Z》《神话修辞术》《恋人絮语》《新批评论文集》《中性》,几天之内连续阅读,抬头之际,有如下遐思…… *** 我是个悲观的享乐主义者(奉行享乐的悲观主义者)。 享乐既是麻痹也是升华,在享乐中时间的经验得以消除,如同一种死亡的状态。然而这不是...  

用戶評價

评分

頭頭類看不懂。。。

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第五頁的writerly and readerly text的分析 一語驚醒夢中人

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中文反倒比英文難懂。

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頭頭類看不懂。。。

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Barthes自己畫瞭個圈圈叫結構主義,說sarrasine 是readerly,自己的是writerly。最後轉來轉去把自己給套住瞭。解構主義纔是我的愛

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