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Guy Delisle (born January 19, 1966) is a cartoonist and animator from Quebec City, Quebec, Canada, best known for his graphic novels about his travels, such as Shenzhen (2000), Pyongyang (2003), Burma Chronicles (2007), and Jerusalem (2011).
Delisle studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. He later worked for different studios in Canada, Germany, France, China and North Korea. His experiences as a supervisor of animation work by studios in Asia were recounted in two graphic novels, Shenzhen (2000) and Pyongyang (2003). The two books, Delisle's most famous work, were first published in French by the independent bande dessinée publisher L'Association. They have been translated into many languages, including English, German, Italian, Polish, Czech, Spanish, Portuguese and Finnish.
Delisle is married to a Médecins Sans Frontières administrator. With her, he made a trip to Myanmar (Burma) in 2005, which is recounted in Chroniques Birmanes (2007), translated into English as Burma Chronicles. In the summer of 2009, they completed a one year stay in Jerusalem, again with Médecins Sans Frontières. This stay was recounted in Chroniques de Jérusalem (2011) which won the Angoulême International Comics Festival Prize for Best Album in 2012. Amongst other things it covered the Gaza War. In France, Chroniques de Jerusalem (English title: Jerusalem) was a best-seller.
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- 中国
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- Guy_Delisle
- 社会
The follow-up graphic novel to the acclaimed "Pyongyang: A Journey to North Korea""Shenzhen "is entertainingly compact, with Guy Delisle's observations of life in a cold urban city in southern China that is sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle is quick to find the humor and point out the differences between Western and Eastern cultures. Yet he never forgets to relay his compassion for the simple freedoms that escape his colleagues by virtue of living in a Communist state.
具体描述
读后感
因为看了guy delisle的《缅甸》才找出来这本《深圳》。他去深圳的时候还是一个单身汉，没有老婆孩子，生活也很枯燥，无聊。 而且1997年的深圳和2008年的深圳相差太远了。实在太远了。 guy在中国也转悠过一些地方，但是看来对中国的文化了解得不多。都是一些皮毛上的东西。这本...
评分作为一个到过平壤（当然因为只是旅游，活动范围远不如作者广泛），并在深圳生活过数年（因为宅，活动范围也不算广泛）的人，我是先看了《平壤》，再把《深圳》找来看的。 如果说《平壤》还令我感同身受，《深圳》就令我失望了。毕竟和平壤不同，在深圳没有人会在乎你从哪里来...
评分因为看了guy delisle的《缅甸》才找出来这本《深圳》。他去深圳的时候还是一个单身汉，没有老婆孩子，生活也很枯燥，无聊。 而且1997年的深圳和2008年的深圳相差太远了。实在太远了。 guy在中国也转悠过一些地方，但是看来对中国的文化了解得不多。都是一些皮毛上的东西。这本...
评分作为一个到过平壤（当然因为只是旅游，活动范围远不如作者广泛），并在深圳生活过数年（因为宅，活动范围也不算广泛）的人，我是先看了《平壤》，再把《深圳》找来看的。 如果说《平壤》还令我感同身受，《深圳》就令我失望了。毕竟和平壤不同，在深圳没有人会在乎你从哪里来...
评分作为一个到过平壤（当然因为只是旅游，活动范围远不如作者广泛），并在深圳生活过数年（因为宅，活动范围也不算广泛）的人，我是先看了《平壤》，再把《深圳》找来看的。 如果说《平壤》还令我感同身受，《深圳》就令我失望了。毕竟和平壤不同，在深圳没有人会在乎你从哪里来...
用户评价
略带夸张的有趣画风和叙述，甚爱之。
评分Guy对深圳有着自带的厌恶。像平壤一样， 从头到尾都是嫌恶，声称“中国是世界上最脏的国家”，还把“广东”和“广州”混淆，中文对话里用了很多报纸小广告摘抄，让人哭笑不得。不过觉得比《平壤》强，起码很多细节描绘的是很真实的，观察的也算有点洞察。但真心觉得旅行者或者漫画家不应该带着这样一种心态去体验，起码我要是画东京完全用的会是另外一种笔调。
评分的确有九十年代的感觉！
评分1997年的深圳，千变万化，让一老外待仨月都觉得特别无聊。骑自行车的镜头处理。清晰线条描绘的中国风格漫画开头。给老外送巨无霸汉堡和相册的女孩，那个翻译的女朋友，虽然是学英语的，但不敢说一句话。翻译只好带老外下楼打篮球。
评分作者一向是个典型无态度无热情、沟通欲望仅限于「兵来将挡」的西方expat视角。那些天朝上国感、认为老外就该“带敬畏来朝”的人可以醒醒了，本书的这种无感才是常态，更何况作者选择做自传而不是reportage，走的就是无知路人的“外人”路线。三个月@97年深圳，看不出什么刻意抹黑。面对新事物/文化的一脸懵逼依旧非常comical。懂中国文化还能收获额外笑点：eg「经商的见老外死缠烂打练口语」和「北大英语系哑巴女友」（有处直接画面致敬丁丁，然后才提丁丁，仿佛看到作者的暗笑（就觉得《Jerusalem》里宣礼是他瞎抄的古兰经呢。果然较早的这本里的中文，除了名片这种日后可以reference的地方，都是胡诌。虽说基本用在像电梯里大声讲电话这种地方，文字只是象征，具体说什么也并不重要
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