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"The Ramayana" is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling. 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of "The Ramayana". Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime ..."The Ramayana" pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.
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Vishnu下凡体验生活，开挂清了一波小怪。
评分是的我就是讨厌Ramayana.....
评分是的我就是讨厌Ramayana.....
评分印度是个会讲故事的民族。现代印度作家，让这个故事精简到其他民族可接受的长度。以前读南怀瑾的书，总以为是中文的翻译才赋予佛经优美的意境，现在觉得也不尽然。梵语将的故事，翻译成英文，也可以如此绚丽繁复。虽然是印度教的故事，但也传递了成住坏空的哲学，对熟悉佛教的人来说，似乎也不会陌生。
评分"The central character of the Monkey King in Journey to the West... is modelled on Hanumana." （黑人问号脸
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