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"The Ramayana" is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling. 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of "The Ramayana". Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime ..."The Ramayana" pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.
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"The central character of the Monkey King in Journey to the West... is modelled on Hanumana." （黑人问号脸
评分Vishnu下凡体验生活，开挂清了一波小怪。
评分文学课要求读物。非常predicable的故事走向，总体来讲阅读体验不差。会更喜欢另一个结局，Sita尘归于土，也算是她完成自己的karma。
评分是的我就是讨厌Ramayana.....
评分Vishnu下凡体验生活，开挂清了一波小怪。
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