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"The Ramayana" is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling. 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of "The Ramayana". Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime ..."The Ramayana" pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.
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印度是個會講故事的民族。現代印度作傢，讓這個故事精簡到其他民族可接受的長度。以前讀南懷瑾的書，總以為是中文的翻譯纔賦予佛經優美的意境，現在覺得也不盡然。梵語將的故事，翻譯成英文，也可以如此絢麗繁復。雖然是印度教的故事，但也傳遞瞭成住壞空的哲學，對熟悉佛教的人來說，似乎也不會陌生。
评分Rama, my King - a perfect man, who devoted his life to protect his companion Sita. 西遊記有藉鑒這個故事嗎？
评分"The central character of the Monkey King in Journey to the West... is modelled on Hanumana." （黑人問號臉
评分算是理解印度教的其中一本基礎讀物，不乏味。
评分文學課要求讀物。非常predicable的故事走嚮，總體來講閱讀體驗不差。會更喜歡另一個結局，Sita塵歸於土，也算是她完成自己的karma。
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