Elegant Debts pdf epub mobi txt 电子书下载 2025

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Craig Clunas is Percival David Chair of Chinese Art at SOAS, London, and the author of Superfluous Things (1991), Fruitful Sites: Garden Culture in Ming Dynasty China (Reaktion Books, 1996), Pictures and Visuality in Early Modern China (Reaktion Books, 1997) and Art in China (1997).

出版者:University of Hawaii Press

作者:Craig Clunas

出品人:

页数:232

译者:

出版时间:2004-6-28

价格:USD 57.00

装帧:Hardcover

isbn号码:9780824827724

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艺术史
柯律格
海外中国研究
艺术
海外中国艺术研究
Craig_Clunas
欧美艺术史学界
中华书画史

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This book takes an innovative approach to one of the great figures of Chinese culture, the writer and painter Wen Zhengming (1470-1559). Renowned as one of the great "scholar painters" of the Ming dynasty, Wen was enmeshed in a complex web of social obligations, his "elegant debts" as he called them, which led to many of his most celebrated works. Using an unprecedented quantity of primary sources for his life and work, Elegant Debts looks at the ways in which social obligation and gift exchange were central to personal and individual identity in the Ming period. The book also examines Wen's family relationships, his friends, mentors, and pupils, his sense of a distinct local identity, and the interplay of national and regional politics with the achievements of his long life. It uses the insights of a range of scholarship--art history, social and literary history, and anthropology--to show how "self" was constructed in Ming China. In doing so, it makes a major contribution toward a more diverse art history that is less dependent on European conceptions of artists and their work. Craig Clunas has published extensively in the field, and is widely recognized as one of the world's leading scholars of Ming culture. Featuring many images of the work of one of China's major painters, this book is accessible to all who are interested in China's culture and history, as well as to students and scholars of art history and the history of culture.

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本来是因为难得一见较新的研究文征明的书而且久仰柯律格大名而未阅其书又偶然在学校图书馆找到才想要看看的原先没有重视副标题而且又将“社交性”后面的“艺术”两字过度放大造成误解其实是从史料以及文征明画作（包括现存的和佚失的）上的题跋等文字资料上来作分析简...

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对于浩瀚无边的中华文明来说，我们所处的立场，所采用的研究方法将会极大程度上决定我们观望的效果。近些年来，历史学、考古学、人类学、民族学、社会学、美学、宗教学和文学史等交叉学科的不断建构和融汇也为中国艺术史的发展提供了强大的动力。比如《雅债》所属的“开放的艺...

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早年读英文版的时候主要是看图片，现在出了中文版才耐下心来看内容。这本书的翻译团队就好像《雅债》的主题想要呈现的网络一样，刘是作者在牛津时的博士（是美女！靓照请见http://www.ihp.sinica.edu.tw/index.htm）、胡是作者在亚非时的硕士，邱是台北故宫书画处的研究人员，...