Craig Clunas is Percival David Chair of Chinese Art at SOAS, London, and the author of Superfluous Things (1991), Fruitful Sites: Garden Culture in Ming Dynasty China (Reaktion Books, 1996), Pictures and Visuality in Early Modern China (Reaktion Books, 1997) and Art in China (1997).
This book takes an innovative approach to one of the great figures of Chinese culture, the writer and painter Wen Zhengming (1470-1559). Renowned as one of the great "scholar painters" of the Ming dynasty, Wen was enmeshed in a complex web of social obligations, his "elegant debts" as he called them, which led to many of his most celebrated works. Using an unprecedented quantity of primary sources for his life and work, Elegant Debts looks at the ways in which social obligation and gift exchange were central to personal and individual identity in the Ming period. The book also examines Wen's family relationships, his friends, mentors, and pupils, his sense of a distinct local identity, and the interplay of national and regional politics with the achievements of his long life. It uses the insights of a range of scholarship--art history, social and literary history, and anthropology--to show how "self" was constructed in Ming China. In doing so, it makes a major contribution toward a more diverse art history that is less dependent on European conceptions of artists and their work. Craig Clunas has published extensively in the field, and is widely recognized as one of the world's leading scholars of Ming culture. Featuring many images of the work of one of China's major painters, this book is accessible to all who are interested in China's culture and history, as well as to students and scholars of art history and the history of culture.
对于浩瀚无边的中华文明来说,我们所处的立场,所采用的研究方法将会极大程度上决定我们观望的效果。近些年来,历史学、考古学、人类学、民族学、社会学、美学、宗教学和文学史等交叉学科的不断建构和融汇也为中国艺术史的发展提供了强大的动力。比如《雅债》所属的“开放的艺...
評分 評分如果文徵明那个时代有facebook或者微信的话,那么这个被称为“江南四大才子”之一的文艺青年的朋友圈是什么样的?会不会像他画中的人物一样,总是一副不懂人情世故,神龙见首不见尾的世外高人“隐士”形象? 说起“江南四大才子”,人们首先会想到唐伯虎,他和秋香的爱情故事几...
評分艺术史教授柯律格(Craig Clunas)从人情义务与交往互惠的角度,梳理考察了明代书画大家文徵明的社交生活,并以小见大,使读者体验到中国古代社会社会关系的某些特性。 对某位艺术家展开研究,离不开对其作品的交待、分析与阐释,遵循如此进路,可以得出艺术家的...
評分翻過
评分翻過
评分雅債這本書怎麼說呢,有洞見,方法論也好,柯律格無愧於社會的藝術史在中國藝術研究上的領軍人物。但這類方法論的缺陷在於多將藝術品當成一種特殊的物來處理而不是視覺産品。這樣人們雖然能理解藝術品和藝術傢在曆史上的人際關係中所擔任的角色,但卻少瞭視覺的樂趣,這種缺陷對我而言幾乎是緻命的。
评分雅債這本書怎麼說呢,有洞見,方法論也好,柯律格無愧於社會的藝術史在中國藝術研究上的領軍人物。但這類方法論的缺陷在於多將藝術品當成一種特殊的物來處理而不是視覺産品。這樣人們雖然能理解藝術品和藝術傢在曆史上的人際關係中所擔任的角色,但卻少瞭視覺的樂趣,這種缺陷對我而言幾乎是緻命的。
评分角度有趣,條理清晰,思考謹慎,是對純藝術分析很好的補充,搞藝術研究不能不懂物質環境和市場。
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