Literary Theory 在线电子书 图书标签: 文学理论  西方文论  二十世纪西方文论  馬克思主義  詩學  英文原版  英文  英國   

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Borrowed it from the school library and have been reading it for exactly 3 months which coincides with the maximum time for which I can keep the book. The process of reading it was indeed like an adventure. It taught me so much, and dispelled for me the mist over those subjects who have seemingly esoteric names - structualism or phenomenology.

Borrowed it from the school library and have been reading it for exactly 3 months which coincides with the maximum time for which I can keep the book. The process of reading it was indeed like an adventure. It taught me so much, and dispelled for me the mist over those subjects who have seemingly esoteric names - structualism or phenomenology.

The author's elaborations of schools and methods in Literary Theory are definitely lucid and even comprehensive, while his verbosity and convolution, which obviously peak in the Conclusion, impair the readability of the book a lot, even to the extent that the Afterwords was simply ignored by me...233

Borrowed it from the school library and have been reading it for exactly 3 months which coincides with the maximum time for which I can keep the book. The process of reading it was indeed like an adventure. It taught me so much, and dispelled for me the mist over those subjects who have seemingly esoteric names - structualism or phenomenology.

The author's elaborations of schools and methods in Literary Theory are definitely lucid and even comprehensive, while his verbosity and convolution, which obviously peak in the Conclusion, impair the readability of the book a lot, even to the extent that the Afterwords was simply ignored by me...233

在伊格尔顿的文学观念中，意识形态是无所不在的，然而，什么都是“意识形态”，那“意识形态”还有什么意义？其实伊格尔顿意图不在说明它具体是什么，而是提供了一种思维的方式。他在最后一章中就指出了，文学理论就其自身而言，与其说是一种知识探索的对象，不如说是观察我们...  

如果让我给这本书下一个定义的话——那就是，对批评的批评。(eagleton是马克思主义批评家，所以整本书其实是建立在马克思哲学体系上的，因此“意识形态”和历史对文本的影响是EAGLETON比较权重的。通过该书eagleton也阐述了自己的文学观点，而且仔细的话就会发现这种阐述无...  

从《导言：文学是什么》到《结论：政治批评》酣畅淋漓的读一遍，我们不难发现，罗兰•巴特不过是把作者“杀死”，而伊格尔顿则是决意要将文学“置之死地而后生”了。 在《导言》中，伊格尔顿就先将“文学性”的定义——如“虚构性”，或者是形式主义者认为的“由于话语之间的...