Michel Foucault (1926-84). Celebrated French thinker and activist who challenged people's assumptions about care of the mentally ill, gay rights, prisons, the police and welfare.
When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the limitations of our usual taxonomies, he opens the door onto a whole new system of thought, one ripe with what he calls "exotic charm". Intellectual pyrotechnics from the master of critical thinking, this book is crucial reading for those who wish to gain insight into that odd beast called Postmodernism, and a must for any fan of Foucault.
本书中,福柯勾勒了文艺复兴至18世纪初西方知识的三种认识型和两次断裂。 相似性——断裂(堂吉诃德)——同一和差异(自然史、财富和语法)——断裂(萨德和康德)——同功和接续(生物学(居维埃)、经济学(李嘉图)和语文学(博普))——人(限定性、经验先验、我...
评分《词与物》是福柯最为晦涩难懂的一本书,莫伟民的翻译也延续了这种晦涩。 现代知识型领域的三个维度分别是数学与物理学、语言、生命和财富以及哲学反思。人文科学有三个模式:生物学、经济学与语文学。 《词与物》一书从语言出发到哲学,对人文科学进行了考古学与系谱学的考察...
评分这是一部高深莫测的哲学书。使我发生兴趣的是开篇部分,福柯以维拉斯凯兹的一幅《宫娥》图作为书的开头,他用独特的视角对画面人物、色彩、线条、空间关系进行分析,从而引出他的哲学观点。这本书就像是福柯从某颗星星上放下了一家软梯,引导你爬上去,站到一个很高的位置来看...
评分 评分当我们在树清思想纠结于若干个试图包罗万象的结构的时候,他这个身体力行实践生命即艺术的狂人——福柯却在解构着这些自以为是的一双双陈旧的鞋子。这是我扫过前言憋出来的感觉。希望可以消化那本具有毁灭力的哲书。
La fin de l'homme / La finitude de l'homme (labor, life, language)
评分仅仅是因为福柯,就应该读一读,译本很无趣.在孔夫子上可以买到。
评分重读第一章。所谓 "the best thick description of artworks are never written by art historians".真的精彩。
评分不能说用词华丽,但感觉很有层次感,一种我经常读不懂的层次感 最后一章搞心理学的可以读读。
评分讀得好苦啊
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