Qin Shao is Associate Professor of History at the College of New Jersey.
This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting “the Nantong model” nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.
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後現代與新文化史影子,張謇南通現代化,如何透過印刷文化、照相、旅行等exhibitory modernity逐步成為“模範”;反思缺乏“反記憶“史料之睏境,有方法論價值,惜僅intro和chap.6略點;狼山-汪利平西湖;時間-葉文心;名勝-韓書瑞/梅爾清。1949後的下半部呢?
评分後現代與新文化史影子,張謇南通現代化,如何透過印刷文化、照相、旅行等exhibitory modernity逐步成為“模範”;反思缺乏“反記憶“史料之睏境,有方法論價值,惜僅intro和chap.6略點;狼山-汪利平西湖;時間-葉文心;名勝-韓書瑞/梅爾清。1949後的下半部呢?
评分後現代與新文化史影子,張謇南通現代化,如何透過印刷文化、照相、旅行等exhibitory modernity逐步成為“模範”;反思缺乏“反記憶“史料之睏境,有方法論價值,惜僅intro和chap.6略點;狼山-汪利平西湖;時間-葉文心;名勝-韓書瑞/梅爾清。1949後的下半部呢?
评分後現代與新文化史影子,張謇南通現代化,如何透過印刷文化、照相、旅行等exhibitory modernity逐步成為“模範”;反思缺乏“反記憶“史料之睏境,有方法論價值,惜僅intro和chap.6略點;狼山-汪利平西湖;時間-葉文心;名勝-韓書瑞/梅爾清。1949後的下半部呢?
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