Martin Scorsese's current position in the international film community is unrivalled, and his name has become synonymous with the highest standards of filmmaking excellence. He is widely considered America's best living film director, and his "Taxi Driver" and "Raging Bull" appear frequently on worldwide surveys of the best films of all time. Here, in the first biographical account of this artist's life, the author traces Scorsese's Italian-American heritage, his strict Catholic upbringing, the continuing role of religion in his life and art, his obsessive love of cinema history, and the powerful impact the streets of New York City had on his personal life and his professional career.The filmmaker's humble, soft-spoken public persona tells only part of the story, and the author delves into the other side of a complex and often tortured personality. Scorsese's intense passion, his private relationships, his stormy marriages, and his battles with drugs and depression are all chronicled here, and, in many cases, for the first time.As his Best Director award at the 2007 Oscars clearly demonstrated, Scorsese has become something like Hollywood royalty in recent years, finally enjoying the insider status and favour that eluded him for most of his career. But these recent developments aside, Scorsese is also notable as a distinctly American type of artist, one whose work - created in a medium largely controlled by commercialism and marketing - has always been unmistakably his own, and who thus remains a touchstone of artistic integrity in American cinema. In "Martin Scorsese: A Biography", readers can examine not only the work of one of the form's genuine artists, but also the forces that have propelled the man behind it.
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坦白说,这本书的阅读门槛不低,它假设了读者对某些特定的时代背景和电影流派有所了解,但这正是其魅力所在。它没有降低自身的标准去迎合大众,而是用一种近乎学术的严谨性,构建了一个探讨影像艺术的宏大体系。最令我震撼的是其中关于“暴力美学”的辩证分析。作者并未简单地肯定或否定,而是将其置于社会语境下进行复杂的伦理审视,这种深度和广度,在同类书籍中是极为罕见的。文字的排列组合充满了力量感和韵律感,某些段落的句式结构极其复杂,但一旦被理解,其所传达的意蕴便如潮水般涌来,势不可挡。读完后,我对许多过去视为理所当然的镜头语言,产生了全新的敬畏。它不仅仅是在介绍“如何拍”,更是在探讨“为何要这样拍”,指向了创作者对时代和人性的终极关怀。
评分我很少读到能将叙事技巧的冰冷解析,与对人类情感的炽热描摹结合得如此完美的书籍。作者对“蒙太奇”的解析,不再是枯燥的原理罗列,而是将其视为一种情感的炼金术,如何通过片段的并置,无中生有地创造出观众的共鸣和错觉。书中对某些历史性时刻的复盘,其笔触之细腻,仿佛连当时的空气湿度都能被捕捉到。更难能可贵的是,作者似乎对“成功”和“失败”持有了一种超脱的视角,他赞美那些大胆的尝试,即使它们最终在票房上遭遇了挫折,因为这些尝试本身就推动了艺术的边界。整体而言,这本书给予读者的,不仅仅是知识的累积,更是一种精神上的鼓舞,它激励着每一个对创造充满向往的心灵,去直面挑战,去追求那种稍纵即逝、但足以定义一个时代的伟大瞬间。
评分这部作品,无论从哪个角度切入,都散发着一种难以言喻的、对电影艺术近乎偏执的致敬与解构。作者似乎将自己毕生的观影心得,化为了一套精密的解剖刀,将那些经典场面、那些标志性的运镜手法,甚至是那些幕后鲜为人知的挣扎与抉择,一一摊开在我们面前。我尤其欣赏他对叙事节奏的探讨,那种时而急促如风暴过境,时而缓慢如时间凝固的笔触,完美复刻了银幕上的那种张力。读到关于角色内心世界的剖析时,我甚至能感受到那种演员在镜头前耗尽心力的喘息声。这绝不是一本简单的影评集,它更像是一份宣言,一份对影像语言纯粹性的不懈追求。书中对光影的运用分析,简直达到了诗歌的境界,每一个光斑、每一处阴影,都被赋予了超越其物理存在的深层含义。通篇读下来,让人不得不重新审视自己对“观看”这件事的理解。那种深入骨髓的、对电影史的敬畏感,通过每一个精心打磨的句子流淌出来,让人心悦诚服。
评分这是一本需要反复翻阅的书,因为它在不同的年龄和心境下,会向你展示不同的层面。初读时,我可能被那些充满张力的故事和技术解析所吸引;但随着阅历的增加,我开始关注到其中关于时间流逝、关于记忆的不可靠性这些更深层次的主题。作者在描述创作困境时所展现出的那种近乎痛苦的真诚,极大地打动了我。他没有将光环下的创作者神化,而是将他们还原为有血有肉、在巨大压力下做出艰难妥协的个体。书中的一些篇章,更像是一部小型的哲学论述,关于道德的灰色地带,关于个人意志与命运的抗争,这些主题通过电影的载体被放大和审视。语言上,它时而像一位睿智的导师娓娓道来,时而又像一位愤怒的先知疾声呼吁,这种风格上的跳跃反而增强了文本的生命力。
评分这本书的文字如同它所描绘的那些宏大场景一样,充满了粗粝而迷人的质感。它不屑于那些浮光掠影的赞美,而是直击核心,探讨了艺术创作中那些最肮脏、最真实的部分——预算的压力、演员的脾气、剪辑室里的血泪史。阅读过程更像是一场穿越时空的对话,与那些创造了不朽瞬间的大师们面对面交流。作者对“风格”的阐释尤为精妙,他没有简单地罗列特征,而是深入挖掘了风格是如何从艺术家的个人哲学和外部世界的碰撞中自然孕育而生的。那种对细节的捕捉,比如某个道具的选择、某个群演的眼神,都体现了创作者的匠人精神。我发现自己读得非常慢,因为总忍不住停下来,去回味那些被作者重新激活的经典片段,仿佛那些影像又一次在我脑海中鲜活起来。这是一种沉浸式的阅读体验,它要求读者不仅要有一定的电影知识背景,更要有一种愿意被颠覆的开放心态。
评分写得罗嗦。电影故事还用他讲么?"all films worth making should be personal"
评分写得罗嗦。电影故事还用他讲么?"all films worth making should be personal"
评分写得罗嗦。电影故事还用他讲么?"all films worth making should be personal"
评分写得罗嗦。电影故事还用他讲么?"all films worth making should be personal"
评分写得罗嗦。电影故事还用他讲么?"all films worth making should be personal"
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