Just My Type

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出版者:Penguin Group (USA) Incorporated
作者:Simon Garfield
出品人:
页数:356
译者:
出版时间:2011-9-1
价格:USD 27.50
装帧:Hardcover
isbn号码:9781592406524
丛书系列:
图书标签:
  • 字体
  • 设计
  • 平面设计
  • 艺术
  • design
  • Graphic_design
  • 英文原版
  • 众包翻译
  • Typography
  • Design
  • Language
  • Culture
  • History
  • Art
  • Communication
  • Identity
  • Aesthetics
  • Modernity
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具体描述

A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you?

Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)?

Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.

作者简介

Simon Garfield is the author of twelve acclaimed books of nonfiction. He lives in London and St. Ives, Cornwall, and currently has a soft spot for Requiem Fine Roman and HT Gelateria.

Chip Kidd is associate art director for Alfred A. Knopf, where his jacket designs have revolutionized the art of American book packaging. He is the author of numerous books, including The Cheese Monkeys.

目录信息

Foreword Chip Kidd xii
Introduction: Love Letters 1
Periodic Table of Typefaces 6-7
1 We don't serve your type 9
2 Capital Offence 22
Gill Sans 41
3 Legibility vs Readability 45
Albertus 62
4 Can a font make me popular? 65
Futura v Verdana 73
5 The Hands of Unlettered Men 77
Doves 84
6 The Ampersand's Final Twist 89
7 Baskerville is Dead (Long Live Baskerville) 97
Mrs Eaves & Mr Eaves 106
8 Tunnel Visions 109
9 What is it about the Swiss? 124
Frutiger 139
10 Road Akzidenz 143
11 DIY 158
12 What the Font? 172
13 Can a font be German, or Jewish? 180
Futura 193
14 American Scottish 196
Moderns, Egyptians and Fat Faces 204
15 Gotham is Go 208
16 Pirates and Clones 220
Optima 233
17 The Clamour from the Past 235
Sabon 251
18 Breaking the Rules 254
The Interrobang 268
19 The Serif of Liverpool 270
Vendôme 284
20 Fox, Gloves 286
21 The Worst Fonts in the World 296
22 Just My Type 313
Bibliography 333
Online 337
Acknowledgements 339
Font and image credits 343
Index 345
· · · · · · (收起)

读后感

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在《机械复制时代的艺术作品》中,本雅明提到,早在文字能够印刷之前,木刻技术已经实现了对版画等艺术作品的复制,而后石印术和摄影术又分别二度改变了文献和形象复制领域的面貌。里头最著名的一个论述是,当现代工业技术可以轻而易举地进行制模、影印、刷版等流程操作之后,...  

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每个人自有一个故事,承载着我们思想的文字的不例外。 《字体故事》给我印象最深刻的是里面的文字混用,是我看过的书里面最丰富的(毕竟是一本关于字体的书籍),在正文中使用与介绍的字体相同的字体,形象地描绘了该字体的式样,书的内容因此生动起来。让我感受到与之前看过...  

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一开始得知这本书要出中文版还是挺高兴的,买回来两天一口气读完,发现不少低级错误:例如288页左上 302页插图旁 其他的小错误比如字体 行间距也有问题。比较讽刺,一本介绍字体和排版印刷有关的书犯排版印刷的错误。另外,本书的两位译者都不是专业翻译人士,这方面经验还是...  

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内容不必说,很好看。但是作为载体的书本身,非常糟糕。 读得时候,发现不少错误,感觉像是草草上架的。价格88元,但是纸张的质量非常差。正文字体不统一,有时候用宋体,有时候用幼圆,然后正文的英文部分也随着中文的字体,间距一塌糊涂,我这个外行也觉得丑得不行。中文字体...

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在火车上,我看完了这本《字体故事—— 西文字体的美丽传奇》 书中介绍的很多字体,我闻所未闻,或者有些字体我见过却视如不见,毕竟,我接触西文字体的机会不多,偶尔用的字体无非只有Times New Roman和Arial(标示数字)而已,但通过阅读这本近400页的书籍,对于西方字体的发...  

用户评价

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有一页提到,‘it is easier to say works than why. good type is instinct born of experience’。

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妈妈啊。。。累死我了= =....

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蛮有趣的。看了这本书后,恭喜你,你成功患上字体强迫症了。

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蛮有趣的。看了这本书后,恭喜你,你成功患上字体强迫症了。

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字体圈套路也好深,另外关于Caslon多讲一点好不好。最后总结篇为什么感觉作者切换逗逼模式开始浅浅的忧伤了?

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