Austerlitz

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W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include The Emigrants, The Rings of Saturn and After Nature.

出版者:Penguin
作者:W. G. Sebald
出品人:
页数:448
译者:Anthea Bell
出版时间:2011-11-3
价格:GBP 9.99
装帧:Paperback
isbn号码:9780241951804
丛书系列:
图书标签:
  • 德国 
  • 小说 
  • 英文原版 
  • sebald 
  • 英国文学 
  • 外国文学 
  • Literature 
  • London 
  •  
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In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.

具体描述

读后感

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0 文学抒情与批判之间的紧张关系,在二十世纪的大屠杀之后显得尤为突出,在阿多诺那句被广泛引用的格言里,这种紧张有了一次引人深思的集中表达:“在奥斯维辛之后,写诗是野蛮的。”抒情的特质内含于诗歌之中,或者说没有哪一种文学形式可以只以反思与批评的面目出现。即使存...  

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《奥斯特利茨》的封面黑中透着一点红,像是一枚来自异国的神秘宝盒。 装帧设计着实下了功夫,黑色封面和红色英文字的触感细腻,仿佛邮票般戳在包装膜上的正方形腰封一撕即无,更巧妙利用另一个腰封背后的空白处印字,精美的程度十分适合当书签。 之前在树德生活馆看到了新民说...  

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《奥斯特利茨》的封面黑中透着一点红,像是一枚来自异国的神秘宝盒。 装帧设计着实下了功夫,黑色封面和红色英文字的触感细腻,仿佛邮票般戳在包装膜上的正方形腰封一撕即无,更巧妙利用另一个腰封背后的空白处印字,精美的程度十分适合当书签。 之前在树德生活馆看到了新民说...  

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書面上的小男孩是主角奧斯特里茨兒時的照片,讓人想起了孤獨的‘小王子’。書與奧斯特里茨偶遇而結識的好友視覺,講述一個孤獨的學者的故事。奧斯特里茨從小為孤兒,被愛爾蘭的冷漠的養父母帶大;成人之後,成為學者,完全投身於學術創作。而隨著講述者與奧斯特里茨的深交,他...

用户评价

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有点不好读,除了偶尔的分节,全文没有分段。形似意识流的写法,但思绪的发散并不漫无边际,而是有逻辑的。太多法语德语看不懂,太多地名不知道,读起来有点崩溃。恍神的时候,情节不知不觉地推动了,整本书仿佛有一阵雾,不时被风吹散,不时又浓密,这种情节的衔接正是本书迷人之处。

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W. G. Sebald has a charm from which you cannot get away once you read his seemingly plain but deeply poetic and intoxicating words. The book is not merely about an individual who seeks his own past but also about a continent which attempts to face its own darkest period.

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tableau

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谢谢Sebald陪我在德国的河流、街道和公路间穿梭。有关各种隐喻或实体的档案里的鬼魂与梦游。

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Posmemory.

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