Austerlitz

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W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include The Emigrants, The Rings of Saturn and After Nature.

出版者:Penguin
作者:W. G. Sebald
出品人:
頁數:448
译者:Anthea Bell
出版時間:2011-11-3
價格:GBP 9.99
裝幀:Paperback
isbn號碼:9780241951804
叢書系列:
圖書標籤:
  • 德國 
  • 小說 
  • 英文原版 
  • sebald 
  • 英國文學 
  • 外國文學 
  • Literature 
  • London 
  •  
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In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.

具體描述

讀後感

評分

这本书是我当初在读帕蒂·史密斯《时光列车》中因其仅有的两段文字描述去买来读的。吸引我的可能是书里提到的那句吧——“ 我也许不知道你心里面在想什么,但我知道你的心理是如何运作的”。这或许源于想找到感同深受的理解?我不知道。 在读完的那一刻,那种隐含着的极度深埋...  

評分

一个人在路上,他关注的是现在,也许还有未来。很少有人回过头去看,那让人欲忘不能的过往。在无情的时光中,过去已经属于死神。可世界并不总是如此,它的精彩也正于此。一个叫奥斯特利茨的人,形只影单地背起行囊,不知疲倦地奔波在寻找过去的路上。他的身影有点悲壮,却也很...  

評分

一个人在路上,他关注的是现在,也许还有未来。很少有人回过头去看,那让人欲忘不能的过往。在无情的时光中,过去已经属于死神。可世界并不总是如此,它的精彩也正于此。一个叫奥斯特利茨的人,形只影单地背起行囊,不知疲倦地奔波在寻找过去的路上。他的身影有点悲壮,却也很...  

評分

塞巴尔德的独特之处在火车站的拱顶照片出现时便显现出来。虚构的人物和真实的景象,用以穿插一片空白,接着,一种新的生命活动藉由真实的记录出现了,正如奥斯特利茨说,“这些照片本身就有记忆”。 记忆?对于奥斯特利茨来说,记忆是一个游戏,有两条支线,一条源于传教士埃米...  

評分

用戶評價

评分

W. G. Sebald has a charm from which you cannot get away once you read his seemingly plain but deeply poetic and intoxicating words. The book is not merely about an individual who seeks his own past but also about a continent which attempts to face its own darkest period.

评分

以後再不旁聽文學係的課瞭,每周都有純文學作品要讀

评分

老澤絕對是德語文壇當之無愧的大師。

评分

讀完好纍。一層疊一層的隱喻、轉述和時空剪切。建築、老照片、一個人和一群人的曆史的虛實交織。James Wood’s intro said it all, but it should be read as an outro.

评分

讀完好纍。一層疊一層的隱喻、轉述和時空剪切。建築、老照片、一個人和一群人的曆史的虛實交織。James Wood’s intro said it all, but it should be read as an outro.

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