The Woman Warrior

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Maxine Hong Kingston, (born October 27, 1940, Stockton, California, U.S.), American writer, much of whose work is rooted in her experience as a first-generation Chinese American. Maxine Hong was the eldest of six American-born children of Chinese immigrant parents. Hong’s father, a scholar, had left China in 1924 and immigrated to New York City; unable to find work as a poet or calligrapher, he took a job in a laundry. Hong’s mother had remained behind in China and joined him in the United States in 1939. Hong attended the University of California, Berkeley, as a scholarship student, graduating in 1962. At Berkeley she met aspiring actor Earll Kingston. They were married in November 1962 and had a son in 1964. The couple taught at Sunset High School in 1966–67 in Hayward, California, then moved to Hawaii, where she held a series of teaching jobs for the next 10 years. In 1976 Kingston published her first book, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. It combines myth, family history, folktales, and memories of the experience of growing up within two conflicting cultures. The book was an immediate critical success, winning the 1976 National Book Critics’ Circle Award for nonfiction. In her second memoir, China Men (1980), Kingston tells the story of Chinese immigration through the experiences of the men in her family. Using the narrative techniques of The Woman Warrior, she relates their stories of virtual slave labour, loneliness, and discrimination. China Men won the American Book Award for nonfiction. In Tripmaster Monkey: His Fake Book (1989), the main character—Whittman Ah Sing, named after Walt Whitman—narrates a peculiarly 20th-century American odyssey; the book combines Eastern and Western literary traditions while emphasizing the Americanness of its characters. In To Be the Poet (2002), written mainly in verse, Kingston presented a rumination on elements of her own past and the acts of reading and creating poetry. The Fifth Book of Peace (2003) combines elements of fiction and memoir in the manner of a Chinese talk-story, a tradition in which elements of both the real and imagined worlds become interpolated. I Love a Broad Margin to My Life (2011) is a “memoir-in-verse.” Kingston also published poems, short stories, and articles. Her collection of 12 prose sketches, Hawai’i One Summer (1987), was published in a limited edition with original woodblock prints and calligraphy. Beginning in 1993 Kingston ran a series of writing and meditation workshops for veterans of various conflicts and their families. From these workshops came the material for Veterans of War, Veterans of Peace (2006), a collection edited by Kingston containing prose and verse on the experiences of war, domestic violence, drug abuse, and other traumatic experiences. In 2014 Kingston received the National Medal of Arts.

出版者:Vintage
作者:Maxine Hong Kingston
出品人:
頁數:209
译者:
出版時間:1989-4-23
價格:USD 14.95
裝幀:Paperback
isbn號碼:9780679721888
叢書系列:
圖書標籤:
  • 亞裔美國文學 
  • 美國文學 
  • 湯亭亭 
  • 小說 
  • 華裔 
  • 女性主義 
  • 女性 
  • 女性主義 
  •  
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A first-generation Chinese-American woman recounts growing up in America within a tradition-bound Chinese family, and confronted with Chinese ghosts from the past and non-Chinese ghosts of the present.

具體描述

讀後感

評分

《女勇士》用五个不同的故事来讲述中国女性的地位,从妈妈的口述中得知那些素未谋面的女性的命运,它向我们充分展示了传统中国父系社会里女性的卑贱与悲哀。它不仅描述了中国的社会面貌,也向我们表达了美籍华裔的心路历程,透露了他们的艰辛与不易。这不仅向世界展示了我们中...  

評分

中国的女人是屈辱的,在读《女勇士》之前,我就知道,不用她告诉我,我的地位,不用她告诉我,我的屈辱。 我不喜欢重复讲述书里都讲了哪些人物,哪些故事,哪些女人抱着孩子跳井淹死了,她和孩子的尸体一起漂浮着,然后被人唾弃活该,事后还拿出来指摘拿出来津津乐道,我不忍心...  

評分

大一的時候寫的傻逼文章啊,來美國的第二個學期。 In China, it is not hard to distinguish a poet. When poets feel sad, they do not speak out about their feelings. Instead, they write about flowers falling in the late spring; they write about grasses dying in...  

評分

中国的女人是屈辱的,在读《女勇士》之前,我就知道,不用她告诉我,我的地位,不用她告诉我,我的屈辱。 我不喜欢重复讲述书里都讲了哪些人物,哪些故事,哪些女人抱着孩子跳井淹死了,她和孩子的尸体一起漂浮着,然后被人唾弃活该,事后还拿出来指摘拿出来津津乐道,我不忍心...  

評分

In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston extensively uses Chinese folklore to move along her narrative. Her use of folklore is two-sided: On one hand, she uses real folklore from Chinese culture, giving creditability to...  

用戶評價

评分

對花木蘭➕嶽飛➕聖女貞德的blending這種方式是理解的,畢竟文學不僅僅是細節,還關於珍貴的想象力,至於文化性彆這種雙重睏惑,無法感同身受

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要討論整整一周這本書. 我覺得討論的時候自己會很尷尬. 第二章後半部分很棒,前麵各種reference看得我好纍啊. 第三章太無聊瞭.其實挺好玩的,把這本書裏的中國看成一個和天朝有很多相似故事的同名字中國就覺得還挺萌的。

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Every woman is a warrior. Fight with the world with the weapons they own, with the pride they hold and with the memory they cherish. 對於這個與我們有一半血統一樣的種族,不理解還是理解,迷迷濛濛得與Kingston一起做幾個夢。

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說實話,蠻好。

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語言很好,但西方人大多還是被中國元素所吸引。作者的背景很容易讓人誤解中國文化,中國人則可以體驗一下西方人是怎樣看待自己的。她非要用“ghost"來作概念有點勉強,非要說"girls are slaves"好像也確實說得過去。亞裔美國人到底還是美國人,我希望有更多的中國人客觀地寫寫中國。

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