The Woman Warrior

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Maxine Hong Kingston, (born October 27, 1940, Stockton, California, U.S.), American writer, much of whose work is rooted in her experience as a first-generation Chinese American. Maxine Hong was the eldest of six American-born children of Chinese immigrant parents. Hong’s father, a scholar, had left China in 1924 and immigrated to New York City; unable to find work as a poet or calligrapher, he took a job in a laundry. Hong’s mother had remained behind in China and joined him in the United States in 1939. Hong attended the University of California, Berkeley, as a scholarship student, graduating in 1962. At Berkeley she met aspiring actor Earll Kingston. They were married in November 1962 and had a son in 1964. The couple taught at Sunset High School in 1966–67 in Hayward, California, then moved to Hawaii, where she held a series of teaching jobs for the next 10 years. In 1976 Kingston published her first book, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. It combines myth, family history, folktales, and memories of the experience of growing up within two conflicting cultures. The book was an immediate critical success, winning the 1976 National Book Critics’ Circle Award for nonfiction. In her second memoir, China Men (1980), Kingston tells the story of Chinese immigration through the experiences of the men in her family. Using the narrative techniques of The Woman Warrior, she relates their stories of virtual slave labour, loneliness, and discrimination. China Men won the American Book Award for nonfiction. In Tripmaster Monkey: His Fake Book (1989), the main character—Whittman Ah Sing, named after Walt Whitman—narrates a peculiarly 20th-century American odyssey; the book combines Eastern and Western literary traditions while emphasizing the Americanness of its characters. In To Be the Poet (2002), written mainly in verse, Kingston presented a rumination on elements of her own past and the acts of reading and creating poetry. The Fifth Book of Peace (2003) combines elements of fiction and memoir in the manner of a Chinese talk-story, a tradition in which elements of both the real and imagined worlds become interpolated. I Love a Broad Margin to My Life (2011) is a “memoir-in-verse.” Kingston also published poems, short stories, and articles. Her collection of 12 prose sketches, Hawai’i One Summer (1987), was published in a limited edition with original woodblock prints and calligraphy. Beginning in 1993 Kingston ran a series of writing and meditation workshops for veterans of various conflicts and their families. From these workshops came the material for Veterans of War, Veterans of Peace (2006), a collection edited by Kingston containing prose and verse on the experiences of war, domestic violence, drug abuse, and other traumatic experiences. In 2014 Kingston received the National Medal of Arts.

出版者:Vintage
作者:Maxine Hong Kingston
出品人:
頁數:209
译者:
出版時間:1989-4-23
價格:USD 14.95
裝幀:Paperback
isbn號碼:9780679721888
叢書系列:
圖書標籤:
  • 亞裔美國文學 
  • 美國文學 
  • 湯亭亭 
  • 小說 
  • 華裔 
  • 女性主義 
  • 女性 
  • 女性主義 
  •  
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A first-generation Chinese-American woman recounts growing up in America within a tradition-bound Chinese family, and confronted with Chinese ghosts from the past and non-Chinese ghosts of the present.

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故事带有移民文学的特色,作者以五个故事讲述了女人要如何在社会责任与自我认知之间保持平衡。 女勇士,the women worrier是20世纪美国华裔文学的标志之一。 五个民间故事融合了传记的形式表达出来,尽管一直受到真实性的质疑,但是作为一本小说,五个故事还是很吸引人的。我最...  

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哎…为了写作业看的这本书我把作业放上来造福以后也许会写这个相关作业的人当参考吧……有错误就别管我了下面指出下免得误导群众吧咳咳_(:з」∠)_ 关于The Woman Warrior 和Obasan两本书的 The Great Struggle    Since ancient times, the struggle of people never s...  

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中国的女人是屈辱的,在读《女勇士》之前,我就知道,不用她告诉我,我的地位,不用她告诉我,我的屈辱。 我不喜欢重复讲述书里都讲了哪些人物,哪些故事,哪些女人抱着孩子跳井淹死了,她和孩子的尸体一起漂浮着,然后被人唾弃活该,事后还拿出来指摘拿出来津津乐道,我不忍心...  

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從ABC眼中看自己的文化傳說,猶如窺探萬花筒。散亂色彩斑斕,意義不在於試圖拼湊齣一個完整。隔閡看來令人不解甚至不適,但學會平和接受它的存在是第一步吧。全書是有撒下動人的數處,但總覺缺些力道,對母親和母親的曆史與過去的perception還可以更深。3.5

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Maxine Hong Kingston is just the type that I'm puzzled about. A semi-novel of patchwork mixing reality with fake yet genuinely-assembled legends is strange enough to catch the eyes of those favoring the very exoticness of the OTHER CULTURE. Kingston, without her background, might not reach such a height with such kind of work.

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damn the American ghosts(¬_¬)

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Every woman is a warrior. Fight with the world with the weapons they own, with the pride they hold and with the memory they cherish. 對於這個與我們有一半血統一樣的種族,不理解還是理解,迷迷濛濛得與Kingston一起做幾個夢。

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To understand oneself better is a dilemma for Chinese women. Because before that you may happily marry someone thus follow the social condition, but after that, after your vision has been broadened... everything changes. Then you might no longer be trapped by the marriage, but you're trapped by a larger, maybe gilded cage, the society.

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