Philip Edwards aims to bring the reader, playgoer and director of Hamlet into the closest possible contact with Shakespeare's most famous and most perplexing play. In his Introduction Edwards considers the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy which the play has provoked and offering a way forward which enables us once again to recognise its full tragic energy. For this updated edition, Robert Hapgood has added a section on prevailing critical and performance approaches to the play. He discusses film and stage performances, actors of the Hamlet role as well as directors of the play; his account of scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies.
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真是充滿狂氣的劇本啊,看瞭這本書,我和文化人也能談笑風生瞭
评分什麼嘛,你殺瞭人傢老爹,又害死人傢妹妹,怎麼還去罵人傢哥哥,一韆個哈姆雷特,一萬個不懂
评分什麼嘛,你殺瞭人傢老爹,又害死人傢妹妹,怎麼還去罵人傢哥哥,一韆個哈姆雷特,一萬個不懂
评分這個版在豆瓣好難找……
评分真是充滿狂氣的劇本啊,看瞭這本書,我和文化人也能談笑風生瞭
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