William Indick earned his bachelors degree in psychology(1993) and masters degree in music therapy(1996) from New York University. Afterworking as a special education teacher and as a creative arts therapist, he earned his Ph.D. in developmental psychology (2001) from Cornell University. Dr. Indick is an active screenwriter, author, screenwriting consultant, and an Assistant Professor of Psychology at Dowling College in Oakdale, New York, where his courses include: "Psychology in Film," "The Western," "Identity Issues in Film," and "Construction of Personal Identity." He is also the author of the upcoming, Analyzing Film: Revealing the Psychological Symbolism in Movies. You may contact Dr. Indick through his Web site at: http://dowling.edu/faculty/Indick/.
Screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought provoking exercises, vivid film images and hundreds of examples from classic movies.
我小时候,每天睡前一定要听故事。由于我爹花言巧语的套路比较多,这个任务落在他的身上,以平衡我妈家务做得更多的怨愤。每天我睡两场,每一场至少要听两个睡前故事,时间一长,我爹就崩溃了,他再怎么花言巧语费尽心机,能讲的故事好像,都讲完了。 终于有一天,我爹开始自己...
评分我小时候,每天睡前一定要听故事。由于我爹花言巧语的套路比较多,这个任务落在他的身上,以平衡我妈家务做得更多的怨愤。每天我睡两场,每一场至少要听两个睡前故事,时间一长,我爹就崩溃了,他再怎么花言巧语费尽心机,能讲的故事好像,都讲完了。 终于有一天,我爹开始自己...
评分我小时候,每天睡前一定要听故事。由于我爹花言巧语的套路比较多,这个任务落在他的身上,以平衡我妈家务做得更多的怨愤。每天我睡两场,每一场至少要听两个睡前故事,时间一长,我爹就崩溃了,他再怎么花言巧语费尽心机,能讲的故事好像,都讲完了。 终于有一天,我爹开始自己...
评分当你看电影,你在看什么? 第三遍读威廉.尹迪克的《编剧心理学》,看着书上密密麻麻的笔记,感觉终于把这本书读薄了。 读完这本书,你可以在电影里拥有心理学思维,洞见影像之外更广阔更深入的世界。 我喜欢这本书的第一个原因是因为它的叙述方法。我粗略算了一下,书中至少分...
没读完,在国内没带过来,还剩下最后一章
评分A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.
评分没读完,在国内没带过来,还剩下最后一章
评分A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.
评分A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.
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