Psychology for Screenwriters 在线电子书 图书标签: 心理学  编剧  电影  思维  Non-fi  美国  后浪  Sigmund   

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A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

没读完，在国内没带过来，还剩下最后一章

没读完，在国内没带过来，还剩下最后一章

A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

故事就是讲述在人在世界上的冲突的过程，由此揭示人生的意义，带来娱乐和宗教、哲学、科学及艺术体验。冲突发生在人的内心、人际、人与社会、人与世界四个层面。心理分析提供了一种方法和视角来理解人那些内在和外在冲突在基因层面的根源，创作者依据这些原则来构建故事的架构...

写剧本是一项步步为营的工作，只有周密严谨的计划，才有奥斯卡。对编剧而言，如果你想知道这本书具体应该怎样应用于实战，我建议你去研究几本有关剧作结构的书籍，顺便把每一章背后的习题做完（虽然有一点难），这本书更多的是关于如果利用心理学的知识构建人物。心理学研究的...  

我小时候，每天睡前一定要听故事。由于我爹花言巧语的套路比较多，这个任务落在他的身上，以平衡我妈家务做得更多的怨愤。每天我睡两场，每一场至少要听两个睡前故事，时间一长，我爹就崩溃了，他再怎么花言巧语费尽心机，能讲的故事好像，都讲完了。 终于有一天，我爹开始自己...