In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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啊 最喜欢看莎翁写raving lunatic having a soliloquy
评分欣赏无能
评分五脏俱全，Commentaries选得很好，刚读完剧本觉得莎士比亚的成就可能仅仅局限他的时代，只是将人物塑造得合理而已，但读完评论后觉得还是有很多东西的，而且每篇评论的观点都不一样，有说麦克白的良心蕴含在他的想象力里，有的说麦克白完全缺乏想象力，只是一个怕事情暴露的平庸的“布尔乔亚”????(能明显感觉到女评论家和男评论家对麦克白及麦克白夫人观点的不同)每一篇评论都为理解剧本打开了一个窗口，使人物在我眼中更加丰富和复杂，虽然不能肯定地说谁的评论是对的。
评分Receive what cheer you may. The night is long that never finds the day.
评分good story，all bad things come from his heart!
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