In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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可能是因為電影改編都已經看瞭三四個版本,舞颱劇也看瞭兩三次,再看書時頗有些味同嚼蠟。最喜歡波蘭斯基的版本,覺得超過黑澤明。
评分頭一次仔細欣賞莎劇劇本,震撼
评分五髒俱全,Commentaries選得很好,剛讀完劇本覺得莎士比亞的成就可能僅僅局限他的時代,隻是將人物塑造得閤理而已,但讀完評論後覺得還是有很多東西的,而且每篇評論的觀點都不一樣,有說麥剋白的良心蘊含在他的想象力裏,有的說麥剋白完全缺乏想象力,隻是一個怕事情暴露的平庸的“布爾喬亞”????(能明顯感覺到女評論傢和男評論傢對麥剋白及麥剋白夫人觀點的不同)每一篇評論都為理解劇本打開瞭一個窗口,使人物在我眼中更加豐富和復雜,雖然不能肯定地說誰的評論是對的。
评分頭一次仔細欣賞莎劇劇本,震撼
评分All hail Macbeth!//The burden of guilt can easily ruin a successful person. Macbeth is one of the most typical tragic hero.
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