Screen of Kings

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Craig Clunas is Professor of History of Art at the University of Oriental Studies at the University of Oxford. His previous books include Art in China (1997), Elegant Debts: The Social Art of Wen Zhengming (Reaktion, 2004) and Empire of Great Brightness: Visual and Material Cultures of Ming China, 1368-1644 (Reaktion, 2007).

出版者:University of Hawai'i Press
作者:Craig Clunas
出品人:
页数:248
译者:
出版时间:2013-6-30
价格:USD 57.00
装帧:Hardcover
isbn号码:9780824838522
丛书系列:
图书标签:
  • 艺术史 
  • 柯律格 
  • 海外中国研究 
  • 明史 
  • CraigClunas 
  • 方法论 
  • Art&Museum 
  • 视觉文化 
  •  
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Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy or ‘kings’ – relatives of the emperors – in Ming dynasty China (1368–1644). Through an investigation of their patronage of architecture, calligraphy, painting and other art forms, and through examination of the contents of their splendid and recently excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s cultural and artistic histories, from which they have until very recently been excluded.

In this book, Craig Clunas sheds new light on many familiar artworks, as well as works that have never before been reproduced. Screen of Kings challenges much of the received wisdom about Ming China; new archaeological discoveries have furnished us with evidence of the lavish, spectacular lifestyles of the country’s provincial kings and demonstrate how central the imperial family was to the high culture of the Ming era.

Written by the leading specialist in the art and culture of the Ming period, this new work of scholarship illuminates a key aspect of China’s past, and will significantly alter our understanding of Ming dynastic power and relations. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.

具体描述

读后感

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皇帝做艺术家是有先天优势的。瞧这几只妙龄的猴子,大概只有御花园才有

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皇帝做艺术家是有先天优势的。瞧这几只妙龄的猴子,大概只有御花园才有

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如果有自拍杆,估计朱元璋和他的四阿哥也会成为自拍狂人。 听说洪武帝长得不太入流,这张照片明显是御用摄影师精心p过的。  

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在大众视野中,明代文化版图上占据绝对优势地位的是士大夫,如果不是柯律格,大概很少人会想到史书上着墨不多的藩王宗室。 藩王们是拥有皇室血脉的次子。次子、女性,总是处于毫无话语权的边缘,在正史上多半隐而不彰,是被遮蔽的群体,而往往是这些边缘化的沉默人群更容易投身...  

用户评价

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明代的文化不仅仅有江南 明初的帝国别有一张文明版图

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梁庄王的金器那章很好看!

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明代的文化不仅仅有江南 明初的帝国别有一张文明版图

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明代的文化不仅仅有江南 明初的帝国别有一张文明版图

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填補了明代藝術的一大空白,從方誌雜記對藩王行宮之描述,他們對佛道的支持,在細至書畫、出土器物的分析。這是明代宮廷為中心的學術史以及以江南文人-雅士為核心的精英藝術以外鮮有人探討的灰色地帶。

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