In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal way into his Aesthetics. In Part I he considers the general nature of art: he distinguishes art, as a spiritual experience, from religion and philosophy; he discusses the beauty of art and differentiates it from the beauty of nature; and he examines artistic genius and originality. Part II provides a sort of history of art, divded into three periods called Symbolic (India, Persia, Egypt), Classical (Greece), and Romantic (medieval and post-medieval up to the end of the eighteenth century). Part III deals individually with architecture, scuplture, painting, music, and literature.
具体描述
读后感
I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
评分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
评分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
评分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
评分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
用户评价
非常historical，非常hierarchical，没有想象中那么Euro-centric，延续了康德的free play of imagination and understanding的想法，但是傲骄地鄙视了一下他提出的the beautiful of nature与sublimity。在Romantic art之后会是什么呢？Greenberg提出的理念－更加去物质、更加注重Idea的conceptual art倒是答案之一，不过这就是艺术史的最后结局了咩？其实我想说的是今天烤了猫咪饼干送给智慧与美貌兼备的教授，教授很开心的样子耶！
评分非常historical，非常hierarchical，没有想象中那么Euro-centric，延续了康德的free play of imagination and understanding的想法，但是傲骄地鄙视了一下他提出的the beautiful of nature与sublimity。在Romantic art之后会是什么呢？Greenberg提出的理念－更加去物质、更加注重Idea的conceptual art倒是答案之一，不过这就是艺术史的最后结局了咩？其实我想说的是今天烤了猫咪饼干送给智慧与美貌兼备的教授，教授很开心的样子耶！
评分The corrently "official" eiditon of Hegel's aesthetics (corresbonds with quotations from most secondary literauture), including introduction, the chapter on "idea of beauty", and the three moments in history of art (similar to Hegel's understanding of the stages of actual history, namely, the process of awareness of freedom). A fluent translation.
评分非常historical，非常hierarchical，没有想象中那么Euro-centric，延续了康德的free play of imagination and understanding的想法，但是傲骄地鄙视了一下他提出的the beautiful of nature与sublimity。在Romantic art之后会是什么呢？Greenberg提出的理念－更加去物质、更加注重Idea的conceptual art倒是答案之一，不过这就是艺术史的最后结局了咩？其实我想说的是今天烤了猫咪饼干送给智慧与美貌兼备的教授，教授很开心的样子耶！
评分非常historical，非常hierarchical，没有想象中那么Euro-centric，延续了康德的free play of imagination and understanding的想法，但是傲骄地鄙视了一下他提出的the beautiful of nature与sublimity。在Romantic art之后会是什么呢？Greenberg提出的理念－更加去物质、更加注重Idea的conceptual art倒是答案之一，不过这就是艺术史的最后结局了咩？其实我想说的是今天烤了猫咪饼干送给智慧与美貌兼备的教授，教授很开心的样子耶！
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