第1章動畫的定義·································································1
1.1 從“運動”說起························································2
1.2 似動知覺：動態影像的根本原理 ···························9
1.3 動畫：呈現非記錄性運動的動態影像媒介 ·········· 11
1.4 轉描影像：動畫與實拍的“聯姻”産物 ··············15
1.5 動畫與實拍的“化閤物”和“混閤物” ··············21
第2章二維動畫、三維動畫和定格動畫 ···························27
2.1 動畫的誕生·······························································28
2.2 早期二維動畫的發展···············································33
2.3 定格動畫及其發展曆程···········································41
2.4 皮剋斯誕生史和三維計算機動畫的崛起 ··············47
2.5 二維動畫的危機·······················································52
第3章主流動畫和非主流動畫············································ 59
3.1 迪士尼的動畫産業帝國 ·········································· 60
3.2 中國動畫的曆史簡述和主流動畫行業的現實境況 ·········································· 62
3.3 實驗動畫的意義······················································· 69
3.4 傳統藝術語境與當代藝術語境下的動畫影像······ 87
第4章動畫創作概述···························································· 99
4.1 動畫的製作流程簡述 ·············································· 100
4.2 生活 vs幻想：創作前的思考································ 107
4.3 動畫的運動規律和風格 ···································115
結語：以動畫為生········································121
後記············································· 129
參考文獻·········································131
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