It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden--and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter. In the swells of revolution, they each taste the addictive delights of power, and the price that must be paid for it. Hilary Mantel has written nine novels including, most recently, "Beyond Black" and a highly acclaimed memoir, "Giving Up the Ghost." She lives with her husband in England. It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden--and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter. In the swells of revolution, they each taste the addictive delights of power, and the price that must be paid for it. "Mantel's writing is so exact and brilliant that, in itself, it seems an act of survival, even redemption."--Joan Acocella, "The New Yorker" "Brilliant, edgy historical fiction that captures the whiplash flux of the French Revolution with crisp immediacy on the page."--"The Seattle Times" "The turmoil of the French Revolution provides the setting for Mantel's American debut, an encompassing historical novel. The principal protagonists--Robespierre, Desmoulins, and Danton--are portrayed in depth as real people, from their troubled childhoods through their downfalls. Interspersed with their stories are the lesser dramas being enacted in this turbulent era, including the loves, rivalries, successes, and despair of the many participants. The author does a commendable job of presenting the metamorphosis of the revolution from its tenuous, fledgling state to the bloodbath of the Reign of Terror, which ultimately turned on its own. . . . this novel is for serious readers of the genre."--Maria A. Perez-Stable, Western Michigan University Libraries, Kalamazoo, " Library Journal" "An epic of extraordinary detail and depth . . . it] moves beyond the realm of an absorbing yarn into the arena of a literary masterpiece."--"Booklist""" "British novelist Mantel weighs in with her American debut: a massively impressive, painstakingly detailed saga of the French Revolution as its leaders lived it. Citizens Danton, Desmoulins, and Robespierre are the primary figures in this historical epic, as each moves from provincial beginnings to Paris and a larger-than-life status in the heady days of revolutionary fervor and terrible excess. Lawyers all, their inclinations and positions allow them to step into roles for which they are well-suited: Danton as the manly, vainglorious hero, as committed and bold as he is self-interested; Robespierre as the tireless conscience of the Revolution, reluctant to accept the power thrust upon him but with an ascetic temperament that brooks no compromises with lesser mortals when he does; and Desmoulins, the go-between, flamboyant and inflammatory, devoted to his friends and sexually ambivalent. Each man moves to his separate but equal destiny through a rich field of characters and images, with wives and family members, sans-culottes and royalty, friends and supporters all revealed in telling detail. The intricacies of political maneuvering in a time of social upheaval are handled with sensitivity and wonderful dexterity, with the final crack in the revolutionary facade that brought Robespierre to turn his allies over to the executioners--in effect destroying all they had struggled together to build--being evident long before it becomes visible. Re-creating the fullness of history with its wealth of human faces and failings, this is a lively, engrossing tale of power, glory, and despair."--"Kirkus Reviews""" "'History is fiction, ' Robespierre observes at one point during British writer Mantel's monumental fictive account of the French Revolution, her first work to appear in this country. In her hands, it is a spellbinding read. Mantel recounts the events between the fall of the ancien regime and the peak of the Terror as seen through the eyes of the three protagonists--Robespierre, Danton and Desmoulins--and a huge cast of supporting characters (including brief appearances by the scrofulous Marat). The three revolutionaries, longtime acquaintances, spend their days scheming and fighting for a corruption-free French Republic, but their definitions of 'corrupt' are as different as the men themselves. Robespierre is the fulcrum. Rigidly puritanical, he is able to strike terror into the most stalwart of hearts, and his implacable progress towards his goal makes him the most formidable figure of the age. As the lusty, likable and ultimately more democratic Danton observes, it is impossible to hurt anyone who enjoys nothing. The feckless, charming Camille Desmoulins, loved by all but respected by few, dances between the two, writing incendiary articles to keep the flames of revolt alive. Mantel makes use of diaries, letters, transcripts and her own creative imagination to create vivid portraits of the three men, their families, friends and the character of their everyday lives. Her gift is such that we hang on to every word, following bewildering arguments and Byzantine subplots with eager anticipation. This is historical fiction of the first order."--"Publishers Weekly"
希拉里·曼特尔出生在英国格罗索普市,曾于伦敦经济学院和谢菲尔德大学攻读法律,担任过《观察家》首席电影评论家。2009年、2012年凭借历史小说《狼厅》和《提堂》两次摘得布克奖。目前,“克伦威尔三部曲”系列的第三部《镜与光》正在创作中。曼特尔是首位两次获得布克奖的女性作家 ,此前只有J·M·库切和彼得·凯里两次获此殊荣。
1974年,希拉里·曼特尔开始了她的创作生涯。曼特尔创作的第一部小说 ,即后来出版的《一个更安全的地方》。小说重现了法国大革命的恢弘场面,获得1992年《周日快报》年度小说奖。迄今为止,希拉里·曼特尔已经出版十一部长篇小说、两部短篇小说集和一部自传。最新出版的作品是2014年的短篇小说集《刺杀撒切尔》。2006年希拉里·曼特尔受封大英帝国司令勋章(CBE),2014年受封大英帝国爵级司令勋章(DBE)。
布克奖评委会主席彼得·斯托萨德称她为“最伟大的现代英语作家”。
法国大革命,是与其三位领袖人物——罗伯斯庇尔、丹东、马拉的名字的名字紧密联系在一起的。在资讯尚不发达的岁月,我们对法国大革命及其三杰的了解,远不如当今移动互联网的年代有那么多渠道获得信息而便捷得多。对马拉的认识,许多人大概是通过大卫的那幅著名油画《马拉之死...
评分七月的一天,天气跟刚刚过去的2016年7月想必大同小异,一个年轻人轻轻一跃,跳上一张露天咖啡座的桌子,以一种相当突然的方式进入了历史。两百多年后,我们还能从书中得知他那天穿着绿色的衣服,黑发用绿色的宽丝带向后扎好,那一刻,他身上的绿色是自由之色,是希望之色。 跳...
评分 评分(原刊于《经济观察报》第793期) 文/俞耕耘 希拉里·曼特尔女士,至少有这样几个惊异之处。2009年、2012年,她凭借《狼厅》、《提堂》两夺布克奖。饶有兴味的是,这位英国女作家却以法国大革命为题材,写就了处女作《一个更安全的地方》。如果按一般作家的惯常“套路”,创...
评分红白蓝三色上分别印有丹东,罗伯斯庇尔和德穆兰的名言!各大书店即将开始买赠活动,敬请关注。 上海译文微博、豆瓣小站也会有相关赠送活动。一个更安全的地方
这本书的叙事节奏掌控得恰到好处,起初的铺陈略显缓慢,但随着故事的深入,人物的命运交织得越来越紧密,那种宿命感如同潮水般将人裹挟进去。作者对细节的捕捉极其敏锐,无论是环境的描摹还是人物微表情的刻画,都显得真实可信,让人仿佛身临其境。我尤其欣赏作者在处理复杂人际关系时的细腻笔触,那些未言明的张力、潜藏的矛盾,都在不经意间流露出来,使得整个故事充满了张力。尽管故事背景设定在特定的历史时期,但其中探讨的人性挣扎、道德困境却是跨越时空的,引发了我对自身处境的深刻反思。主角群体的选择与挣扎,远比单纯的善恶二元对立要复杂得多,每一次关键抉择都像是走在刀刃上,没有绝对的对错,只有代价的权衡。这种对人性的深刻挖掘,使得这部作品远非一部简单的历史或人物传记可以概括,它更像是一部关于“在极端压力下,人如何定义自我”的哲学寓言。读完之后,那种回味悠长的感觉,是很多流水线作品无法给予的,它在你心中留下了一片挥之不去的灰色地带,需要时间去慢慢消化和整理。
评分这部作品的语言风格着实令人惊艳,它有一种古典的厚重感,但同时又兼具现代叙事的干净利落。不同于一些当代小说热衷于使用破碎或实验性的句式,这里的文字是沉静而有力量的,每一个词语的选择都像是经过了精心的打磨,恰到好处地服务于故事的氛围营造。我常常停下来,只是为了反复阅读某个段落,欣赏作者如何用如此凝练的文字勾勒出宏大的历史图景和个体命运的渺小。尤其是那些关于自然景物或城市风貌的描写,简直可以用诗意来形容,它们不仅仅是背景,更像是故事中活生生的参与者,见证着人物的沉浮。然而,这种优雅的笔触也带来了一点小小的挑战——某些地方的叙事密度极高,需要读者全神贯注地去跟进那些繁复的从句和深层的指涉。但这恰恰是其魅力所在,它要求读者投入更多的智力资源,回报你的则是一个丰满、立体的阅读体验。这是一部需要被“慢读”的作品,急躁地翻阅只会错失其中蕴含的精妙之处,仿佛在品尝一杯需要细细回味的陈年佳酿。
评分对于角色塑造的深度,我必须给予高度评价。书中的主要人物群像,没有一个是扁平化的“好人”或“坏蛋”,他们活生生地站在那里,带着各自的缺陷、矛盾和无法摆脱的过去。他们的动机复杂多变,有时候一个高尚的理想会被最卑劣的私心所玷污,有时候一次无心的善举却可能带来深远的灾难。我特别关注到主角A(为了避免剧透,暂且称之为A),他的成长轨迹并非简单的线性进步,而是在不断的跌倒与挣扎中完成的,每一次的“成长”都伴随着某种程度的“失去”——失去天真,失去信任,甚至失去自我的一部分。这种真实感,来源于作者对人类心理复杂性的深刻洞察力。你会发现自己既能理解他们的错误,也能在某些瞬间感同身受他们的绝望,甚至会因为他们的某些决定而感到愤怒或惋惜。这种情感上的强烈卷入,使得阅读过程变成了一场漫长而深刻的心理体验,而非仅仅是接收故事信息的过程。它成功地将冰冷的历史背景,注入了滚烫的人性温度。
评分从结构上看,这本书采取了一种相当大胆的非线性叙事手法,时间线索在不同的章节间跳跃,看似混乱,实则暗藏玄机。一开始我花了不短的时间来适应这种叙事模式,总想着用传统的“时间轴”去梳理人物关系,但很快我领悟到,作者的目的或许并非要我们清晰地“记住”事件发生的顺序,而是要我们体验到记忆的碎片化和历史的不可逆转性。这种结构上的破碎感,恰恰呼应了书中人物在动荡年代中精神状态的支离破碎。每当一个看似不相关的片段突然与之前埋下的伏笔精准对接时,那种豁然开朗的震撼感是无与伦比的。它像是一个精密的钟表,所有的齿轮都在不同的时间点开始转动,直到最后一刻才完美啮合,发出清脆的“咔哒”声。这种叙事技巧的运用,使得主题的表达更加深刻,它告诉我们,我们对过去和未来的理解,往往是片段、主观且充满遗漏的,但这些碎片共同构筑了我们眼前的现实。阅读过程中,我不断地在脑海中重组这些碎片,这本身就是一种积极的参与。
评分这本书最让我印象深刻的是其对于“权力腐蚀性”的刻画,它没有落入俗套地去描绘那些显而易见的邪恶,而是深入到权力运作的微妙机制中。作者通过一系列精心设计的场景,展示了制度如何一步步蚕食掉个体最初的美好愿景。那些本应是捍卫正义的机构,如何被日常的妥协、小小的私利慢慢异化,最终成为压迫自身的工具。这种腐蚀是潜移默化的,是温水煮青蛙式的,它比突发的暴行更令人感到心寒。书中有些配角虽然戏份不多,但他们因为顺应潮流而获得的好处和随之而来的道德沦丧,被描绘得入木三分,让我不禁思考,在体制的洪流面前,坚守原则需要付出多大的代价,以及这种代价是否真的值得。它不是一部教人如何反抗的指南,而更像是一面冰冷的镜子,映照出现代社会中,个人在庞大结构面前的无力与犬儒主义的诱惑。这种对系统性失灵的冷静剖析,极具批判价值。
评分谢谢这本书让我认识了Camille,听说要拍电视剧了很期待。
评分谢谢这本书让我认识了Camille,听说要拍电视剧了很期待。
评分如同被略微错位的逻辑困在一个荒凉的无边的梦境中,像是战争与和平或是百年孤独,这也是一部人类史。感谢花岛老师的推荐。
评分如同被略微错位的逻辑困在一个荒凉的无边的梦境中,像是战争与和平或是百年孤独,这也是一部人类史。感谢花岛老师的推荐。
评分如同被略微错位的逻辑困在一个荒凉的无边的梦境中,像是战争与和平或是百年孤独,这也是一部人类史。感谢花岛老师的推荐。
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