希拉裏·曼特爾齣生在英國格羅索普市，曾於倫敦經濟學院和謝菲爾德大學攻讀法律，擔任過《觀察傢》首席電影評論傢。2009年、2012年憑藉曆史小說《狼廳》和《提堂》兩次摘得布剋奬。目前，“剋倫威爾三部麯”係列的第三部《鏡與光》正在創作中。曼特爾是首位兩次獲得布剋奬的女性作傢 ，此前隻有J·M·庫切和彼得·凱裏兩次獲此殊榮。

1974年，希拉裏·曼特爾開始瞭她的創作生涯。曼特爾創作的第一部小說 ，即後來齣版的《一個更安全的地方》。小說重現瞭法國大革命的恢弘場麵，獲得1992年《周日快報》年度小說奬。迄今為止，希拉裏·曼特爾已經齣版十一部長篇小說、兩部短篇小說集和一部自傳。最新齣版的作品是2014年的短篇小說集《刺殺撒切爾》。2006年希拉裏·曼特爾受封大英帝國司令勛章（CBE），2014年受封大英帝國爵級司令勛章（DBE）。

布剋奬評委會主席彼得·斯托薩德稱她為“最偉大的現代英語作傢”。

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden--and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter. In the swells of revolution, they each taste the addictive delights of power, and the price that must be paid for it. Hilary Mantel has written nine novels including, most recently, "Beyond Black" and a highly acclaimed memoir, "Giving Up the Ghost." She lives with her husband in England. It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden--and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter. In the swells of revolution, they each taste the addictive delights of power, and the price that must be paid for it. "Mantel's writing is so exact and brilliant that, in itself, it seems an act of survival, even redemption."--Joan Acocella, "The New Yorker" "Brilliant, edgy historical fiction that captures the whiplash flux of the French Revolution with crisp immediacy on the page."--"The Seattle Times" "The turmoil of the French Revolution provides the setting for Mantel's American debut, an encompassing historical novel. The principal protagonists--Robespierre, Desmoulins, and Danton--are portrayed in depth as real people, from their troubled childhoods through their downfalls. Interspersed with their stories are the lesser dramas being enacted in this turbulent era, including the loves, rivalries, successes, and despair of the many participants. The author does a commendable job of presenting the metamorphosis of the revolution from its tenuous, fledgling state to the bloodbath of the Reign of Terror, which ultimately turned on its own. . . . this novel is for serious readers of the genre."--Maria A. Perez-Stable, Western Michigan University Libraries, Kalamazoo, " Library Journal" "An epic of extraordinary detail and depth . . . it] moves beyond the realm of an absorbing yarn into the arena of a literary masterpiece."--"Booklist""" "British novelist Mantel weighs in with her American debut: a massively impressive, painstakingly detailed saga of the French Revolution as its leaders lived it. Citizens Danton, Desmoulins, and Robespierre are the primary figures in this historical epic, as each moves from provincial beginnings to Paris and a larger-than-life status in the heady days of revolutionary fervor and terrible excess. Lawyers all, their inclinations and positions allow them to step into roles for which they are well-suited: Danton as the manly, vainglorious hero, as committed and bold as he is self-interested; Robespierre as the tireless conscience of the Revolution, reluctant to accept the power thrust upon him but with an ascetic temperament that brooks no compromises with lesser mortals when he does; and Desmoulins, the go-between, flamboyant and inflammatory, devoted to his friends and sexually ambivalent. Each man moves to his separate but equal destiny through a rich field of characters and images, with wives and family members, sans-culottes and royalty, friends and supporters all revealed in telling detail. The intricacies of political maneuvering in a time of social upheaval are handled with sensitivity and wonderful dexterity, with the final crack in the revolutionary facade that brought Robespierre to turn his allies over to the executioners--in effect destroying all they had struggled together to build--being evident long before it becomes visible. Re-creating the fullness of history with its wealth of human faces and failings, this is a lively, engrossing tale of power, glory, and despair."--"Kirkus Reviews""" "'History is fiction, ' Robespierre observes at one point during British writer Mantel's monumental fictive account of the French Revolution, her first work to appear in this country. In her hands, it is a spellbinding read. Mantel recounts the events between the fall of the ancien regime and the peak of the Terror as seen through the eyes of the three protagonists--Robespierre, Danton and Desmoulins--and a huge cast of supporting characters (including brief appearances by the scrofulous Marat). The three revolutionaries, longtime acquaintances, spend their days scheming and fighting for a corruption-free French Republic, but their definitions of 'corrupt' are as different as the men themselves. Robespierre is the fulcrum. Rigidly puritanical, he is able to strike terror into the most stalwart of hearts, and his implacable progress towards his goal makes him the most formidable figure of the age. As the lusty, likable and ultimately more democratic Danton observes, it is impossible to hurt anyone who enjoys nothing. The feckless, charming Camille Desmoulins, loved by all but respected by few, dances between the two, writing incendiary articles to keep the flames of revolt alive. Mantel makes use of diaries, letters, transcripts and her own creative imagination to create vivid portraits of the three men, their families, friends and the character of their everyday lives. Her gift is such that we hang on to every word, following bewildering arguments and Byzantine subplots with eager anticipation. This is historical fiction of the first order."--"Publishers Weekly"