The Chinese Written Character as a Medium for Poetry 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Chinese Written Character as a Medium for Poetry

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Ernest F. Fenollosa 作者
Fordham University Press
译者
2008-3-15 出版日期
240 页数
GBP 22.50 价格
Hardcover
丛书系列
9780823228683 图书编码

The Chinese Written Character as a Medium for Poetry 在线电子书 图书标签: 汉字  诗歌  Ezra_Pound    漢字  EzraPound  Ernest_Fenollosa  ErnestFenollosa   


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发表于2024-12-26


The Chinese Written Character as a Medium for Poetry 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Chinese Written Character as a Medium for Poetry 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Chinese Written Character as a Medium for Poetry 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Chinese Written Character as a Medium for Poetry 在线电子书 用户评价

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为了research一字一句地啃,越读越入迷。

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诗以字载字里有诗

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二刷本书印象最深的是Haun在Intro中提到的Olson和Derrida对于Fenollosa的二分解读:前者强调action,后者the irreducible graphic。另外Haun今天也肯定了不同象形文字书写讨论之间的联系(Fenollosa????Olson’s Mayan Letters),解决了上学期Edgar García没回答的问题????

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二刷本书印象最深的是Haun在Intro中提到的Olson和Derrida对于Fenollosa的二分解读:前者强调action,后者the irreducible graphic。另外Haun今天也肯定了不同象形文字书写讨论之间的联系(Fenollosa????Olson’s Mayan Letters),解决了上学期Edgar García没回答的问题????

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很可以想见当年庞德君喜逢知己时的雀跃之情。不过这真是典型的误读然后为己所用啊…如:芳:plants over knife引申为疯长的必须被根除的东西——杂草 || 不过F君对中文动词性的论述还是颇得要领,可惜庞德没往这头深究,一个劲研究正名和用象形字直捣所指能指任意性的老巢去了…

The Chinese Written Character as a Medium for Poetry 在线电子书 著者简介


The Chinese Written Character as a Medium for Poetry 在线电子书 图书目录


The Chinese Written Character as a Medium for Poetry 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Chinese Written Character as a Medium for Poetry 在线电子书 图书描述

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding - it is fair to say, his appropriation - of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia. Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the development of Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

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The Chinese Written Character as a Medium for Poetry 在线电子书 读后感

评分

Ernest Fenollosa这本书本质上就是live embodiment of the term“借他人酒杯,浇自己块垒”。 从技术层面而言,不仅对于中文的讨论有许多不明所以的错误,包括对日语的讨论也有不少不准确之处。比如将日语简单的归为inflected language就显然过于模糊了屈折语和黏着语之间的界...

评分

Ernest Fenollosa这本书本质上就是live embodiment of the term“借他人酒杯,浇自己块垒”。 从技术层面而言,不仅对于中文的讨论有许多不明所以的错误,包括对日语的讨论也有不少不准确之处。比如将日语简单的归为inflected language就显然过于模糊了屈折语和黏着语之间的界...

评分

Ernest Fenollosa这本书本质上就是live embodiment of the term“借他人酒杯,浇自己块垒”。 从技术层面而言,不仅对于中文的讨论有许多不明所以的错误,包括对日语的讨论也有不少不准确之处。比如将日语简单的归为inflected language就显然过于模糊了屈折语和黏着语之间的界...

评分

Ernest Fenollosa这本书本质上就是live embodiment of the term“借他人酒杯,浇自己块垒”。 从技术层面而言,不仅对于中文的讨论有许多不明所以的错误,包括对日语的讨论也有不少不准确之处。比如将日语简单的归为inflected language就显然过于模糊了屈折语和黏着语之间的界...

评分

Ernest Fenollosa这本书本质上就是live embodiment of the term“借他人酒杯,浇自己块垒”。 从技术层面而言,不仅对于中文的讨论有许多不明所以的错误,包括对日语的讨论也有不少不准确之处。比如将日语简单的归为inflected language就显然过于模糊了屈折语和黏着语之间的界...

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