Aspects of the Novel

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E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907 followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. Sir Frank Kermode is the first literary critic to be knighted since Empson and is widely acknowledged as the head of the profession in this country. His books include A Sense of an Endgin, his autobiography, Not Entitled, Pleasing Myself, and the best-selling Shakespeare's Language.

出版者:Penguin Classics
作者:E.M. Forster
出品人:
页数:224
译者:
出版时间:2005-9-1
价格:£9.99
装帧:Paperback
isbn号码:9780141441696
丛书系列:
图书标签:
  • E.M.Foster 
  • 文学评论 
  • E.M.Forster 
  • 文论 
  • 外国文学 
  • 英国文学 
  • 英文原版 
  • 写作 
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Collection of literary lectures by E.M. Forster, published in 1927. For the purposes of his study, Forster defines the novel as "any fictitious prose work over 50,000 words." Forester's wit and lively, informed originality have made this study of the novel a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," Forster freely examines elements that all English-language novels have in common: story, people, plot, fantasy, prophecy, pattern and rhythm.

具体描述

读后感

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小说的基本面即故事。故事是一些按时间顺序排列的事件的叙述。就故事在小说中的地位而言,它只有一个优点:使读者想要知道下一步将发生什么。反过来说,它也只能有一个缺点:无能使读者想要知道下一步将发生什么。这就是能够加诸于故事性小说中的仅有的两个批评标准。故事虽是...

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读了不少的小说,有时自以为陶醉。 作为一个读者,从来没想过小说到底是怎么弄出来,只要沉醉其中就好。 福斯特的这个讲座,他自谦是业余却能点拨到迷糊的读者。 原来小说中的人并不同我们世界中的人:小说的中的人可以一眼被看穿,他们的心理都暴露在读者眼前,我们周边的人却...  

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Tremendously readable. Forster writes without no phony scientific attempts, but the work turns to be persuasive with the pre-Bakthin formalistic aucuracy and understandable categories. The time-space dimension is as simple and classy as Newton, still it wor...  

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记得大学时候,对阅读格外痴狂,经常乱七八糟读各种文学作品。但一到跟老师、同学讨论的时候,却说不出个所以然来。直到某一天,一个老师看不下去了,批评我说,书不是这样读的,如果你连如何正确阅读一本小说都不知道,这样乱翻一气有什么用呢?他建议我先去读一本文学批评册...  

用户评价

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才知道自己英语有多差,哎,弄本中文的再看看。

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一來我還是不喜歡讀這類討論小說的書(算不上文學評論);二來內容也確實過時了。好的地方是forster的文筆和以作家經驗出發談小說。同樣是談小說,還是更喜歡毛姆,小說也是更喜歡毛姆的⋯⋯

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碰鬼出版商的原版~近期入手已收藏

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很友好的文学畅谈. 对文学框架提供了很好的注解.抛却时间,在一间屋子聚拢所有作家奋笔疾书的想法也是不错,文学作品带来的声音传递和眼睛所得进行对比.也对小说人物的真实性何在进行了简要的介绍,配合心理分析理论的话会更加令人信服.

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Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam.

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