Aspects of the Novel

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E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907 followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. Sir Frank Kermode is the first literary critic to be knighted since Empson and is widely acknowledged as the head of the profession in this country. His books include A Sense of an Endgin, his autobiography, Not Entitled, Pleasing Myself, and the best-selling Shakespeare's Language.

出版者:Penguin Classics
作者:E.M. Forster
出品人:
页数:224
译者:
出版时间:2005-9-1
价格:£9.99
装帧:Paperback
isbn号码:9780141441696
丛书系列:
图书标签:
  • E.M.Foster 
  • 文学评论 
  • E.M.Forster 
  • 文论 
  • 外国文学 
  • 英国文学 
  • 英文原版 
  • 写作 
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Collection of literary lectures by E.M. Forster, published in 1927. For the purposes of his study, Forster defines the novel as "any fictitious prose work over 50,000 words." Forester's wit and lively, informed originality have made this study of the novel a classic. Avoiding the chronological approach of what he calls "pseudoscholarship," Forster freely examines elements that all English-language novels have in common: story, people, plot, fantasy, prophecy, pattern and rhythm.

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读后感

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福斯特的《小说面面观》我看过两遍,相隔有十几年。第一遍看的印象早已荡然无存,连书也找不到了,十多年后,又买了一本,又读了一遍,这么多年中,我也看了他的一些小说,以及小说改编的电影,再读他的书感受也就自然深了一点。有趣的是,这次看《小说面面观》时是和钱钟书的...  

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Tremendously readable. Forster writes without no phony scientific attempts, but the work turns to be persuasive with the pre-Bakthin formalistic aucuracy and understandable categories. The time-space dimension is as simple and classy as Newton, still it wor...  

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读了不少的小说,有时自以为陶醉。 作为一个读者,从来没想过小说到底是怎么弄出来,只要沉醉其中就好。 福斯特的这个讲座,他自谦是业余却能点拨到迷糊的读者。 原来小说中的人并不同我们世界中的人:小说的中的人可以一眼被看穿,他们的心理都暴露在读者眼前,我们周边的人却...  

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花了一天来读这本书,个人比较感兴趣的是第三四章人物和第六章幻想。关于福斯特提到的二流小说家总是以死亡和结婚来结束小说这一点,早先读简·奥斯汀小说时就有这种感觉。关于《傲慢与偏见》,人物倒还好,但是结局真是不敢恭维。《简·爱》也是一样。小说人物写出来之后会...  

用户评价

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通俗可爱。

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才知道自己英语有多差,哎,弄本中文的再看看。

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所有story writing理论书表面教写作,其实教的都是人生;人类不仅是同类和同伴,也是研究对象。关于characterization of people 和 plot之间平衡的矛盾, narrative tone等方面对我帮助很大。

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碰鬼出版商的原版~近期入手已收藏

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很友好的文学畅谈. 对文学框架提供了很好的注解.抛却时间,在一间屋子聚拢所有作家奋笔疾书的想法也是不错,文学作品带来的声音传递和眼睛所得进行对比.也对小说人物的真实性何在进行了简要的介绍,配合心理分析理论的话会更加令人信服.

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