'A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become "real" at all', writes John Bayley in his foreword to this edition of "Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth". Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute, yet undogmatic and almost conversational critical method has - despite fluctuations in fashion - remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.'
具體描述
讀後感
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用戶評價
閱讀文學作品需要想象力，而戲劇需要一種更現實的想象力……
评分“沒有人會在讀完他的悲劇後感到人是一個卑鄙的可憐蟲。他也許是不幸的，也許是可畏的，但卻不是渺小的。他的命運也許是令人悲痛和神秘莫測的，但卻不是卑鄙無聊的。”
评分“沒有人會在讀完他的悲劇後感到人是一個卑鄙的可憐蟲。他也許是不幸的，也許是可畏的，但卻不是渺小的。他的命運也許是令人悲痛和神秘莫測的，但卻不是卑鄙無聊的。”
评分看他講莎士比亞纔有醍醐灌頂的感覺 但真的是莎士比亞吹瞭
评分“沒有人會在讀完他的悲劇後感到人是一個卑鄙的可憐蟲。他也許是不幸的，也許是可畏的，但卻不是渺小的。他的命運也許是令人悲痛和神秘莫測的，但卻不是卑鄙無聊的。”
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