Kurt Vonnegut was born in Indianapolis in 1922. He studied at the universities of Chicago and Tennessee and later began to write short stories for magazines. His first novel, Player Piano, was published in 1951 and since then he has written many novels, among them: The Sirens of Titan (1959), Mother Night (1961), Cat's Cradle (1963), God Bless You Mr Rosewater (1964), Welcome to the Monkey House; a collection of short stories (1968), Breakfast of Champions (1973), Slapstick, or Lonesome No More (1976), Jailbird (1979), Deadeye Dick (1982), Galapagos (1985), Bluebeard (1988) and Hocus Pocus (1990). During the Second World War he was held prisoner in Germany and was present at the bombing of Dresden, an experience which provided the setting for his most famous work to date, Slaughterhouse Five (1969). He has also published a volume of autobiography entitled Palm Sunday (1981) and a collection of essays and speeches, Fates Worse Than Death (1991).
Billy Pilgrim is the son of an American barber. He serves as a chaplain's assistant in World War II, is captured by the Germans, and he survives the largest massacre in European history the fire bombing of Dresden. After the war Billy makes a great deal of money as an optometrist, and on his wedding night he is kidnapped by a flying saucer from the planet Tralfamadore. So begins a modern classic by a master storyteller.
《五号屠场》的阅读,终于结束。 昨日睡前读,于是在梦里开始时间旅行。冯内古特式的时间旅行是破碎的,随机的,你并不知道自己会前往何时,你只是前往。随随便便的到达某一个时间,经历一些过去已经经过的事情。 亚当弗尔在《几率游戏》中说,当一件事情发生时,这件事情发生...
评分 评分比利挣脱了时间的羁绊。 在挣脱时间羁绊以前,他是个出生于20年代的美国青年,瘦弱无能。不过他的瘦弱无能从来没造成什么大麻烦,因为他是个普通的美国青年。直到1945年,他被送到德国战场。 这时候,他刚在配眼镜医生的专业学校读了半年。这个瘦弱没用的青年,也只是被叫去...
评分 评分《五号屠场》是一部悲伤的小说,悲伤指数达到了*****。 当一个人遭到欺虐时,有的人会选择反抗和报复,而有的人却选择忍让和逃避。当这种欺虐是无可抗拒的时候,怎么办?面对着威苏威火山的爆发、行刑队的枪口、地毯式的轰炸、被置于荒谬的体制内、生来的不平等等等诸如此...
But the little Lord Jesus, No crying He makes. 希望自己也有能力分辨什么是我不能改变的,而什么又是我能改变的。继续追求不以物喜不以己悲的境界吧
评分Everything was beautiful, and nothing hurt.
评分the structure is four-dimensional.
评分我的妈,荒诞派都太好看了吧,没有一本叫我失望的。双重解读美妙非凡,重复的景象安插好似抚摸毛衣滚边时突然被硌上硬针。尤其是那面天鹅绒帷幔,它是整个故事的帷幔。倒转电影,拼贴时间,外星奇遇,月球疮痍,二十年后中年眼镜师眼角有莫名其妙眼泪是因为二十年前战场冬天的风。如果有人问冯内古特和海勒为什么非得这么写,我会替他们回答,因为没有别的办法可以写了。从so it goes到一声鸟鸣,不见焦土,自见焦土,无处骨骸,处处骨骸。然而尽管知道这一切不过是冰冷琥珀,依然愿做一滩懂得嚎啕的盐,“人文主义者的悲悯和良心。”
评分one of the best anti-war books i've read
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