The Fourth Edition is again based on Robert Kimbrough's meticulously re-edited text. Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad's style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow's voice as Conrad heard it when he wrote the story.
" Backgrounds and Contexts " provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild's recent book, King Leopold's Ghost , as well as writings on race by Hegel, Darwin, and Galton.
" Criticism " includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden.
A Chronology and Selected Bibliography are also included.
About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
英国文学史课上初读约瑟夫·康拉德的英文版《黑暗之心》(The Heart of Darkness)时,我毫不例外被作者笔下刻画出的十九与二十世纪之交,帝国主义和殖民主义所衍生出的霸权统治的野蛮、种族压迫的晦暗、现代文明的矛盾所深深震撼。然而,当体验了社会性别与女性研究的知识后,...
评分康拉德似乎偏爱黑色,他的丛林小说都十分浓墨重彩,绝大部分情节要么发生在夜晚,要么在被树木和浓雾遮住了天光的昏暗白昼。如果说这两部小说的基调都是孤独,那么,《黑暗的心》更多是关于死亡与绝望,而《吉姆爷》则关于恐惧和逃避。对于这两部小说的主人公而言,欧洲意味着...
评分被迫看得英文版的,别的不好说,就是挺崇拜康拉德的,都30多了开始学英语还能拿英语写作当作家,无疑给吾辈打了一针强心针,让我觉得我又有希望了。。。“文明人”,“野蛮人”,文明的播种者还是野蛮的殖民者,这些问题太老套了又太尖锐了,作为一个第三世界的女人,想这些我...
评分现实生活中这样的人并不少,不少人都是嘴上的梦想家,说着自己要成为怎样怎样的人,信心十足,可后来,渐渐地,当初挂在嘴边的话消失了。 开始于一段船上水手们交流故事,人们聚在一起总是需要一些话题来促进彼此的交流了解。马洛是一个阅历丰富的人,这一点无论从他的外貌还是...
评分康拉德似乎偏爱黑色,他的丛林小说都十分浓墨重彩,绝大部分情节要么发生在夜晚,要么在被树木和浓雾遮住了天光的昏暗白昼。如果说这两部小说的基调都是孤独,那么,《黑暗的心》更多是关于死亡与绝望,而《吉姆爷》则关于恐惧和逃避。对于这两部小说的主人公而言,欧洲意味着...
1/5
评分越想越有味道~
评分1/5
评分heart of darkness真的太难读了。作家20年的航海经验和悲悯胸怀,成就了这个小说最伟大的主题:好人难寻,殖民掠夺下人何以为人?你要设想,整个故事连篇累牍的意象,甚至同但丁神曲的互文,都是第一人称口吻,用特别不口语化的散文诗语言讲述出来,格外消耗耐心。Conrad的语言风格不是我喜欢的类型,他是很伟大的作家。
评分为了教课又重读了一次。《黑暗之心》的确是康拉德浓汤宝,用最合适的长度写了他唯一的主题,极端状况下的个人。
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