The Fourth Edition is again based on Robert Kimbrough's meticulously re-edited text. Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad's style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow's voice as Conrad heard it when he wrote the story.
" Backgrounds and Contexts " provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild's recent book, King Leopold's Ghost , as well as writings on race by Hegel, Darwin, and Galton.
" Criticism " includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden.
A Chronology and Selected Bibliography are also included.
About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Women as the Other Two women in black Since the publication of Heart of Darkness, it has weltered in lots of controversial voices. This book is regarded as a story about Marlow’s witness of the collapse of the civilization, which has nothing to do with wo...
評分康拉德及其写作特点 约瑟夫.康拉德,资深航海家文人,热爱航海加写文。出生于1857年,原籍波兰。父母因参加民族独立运动被沙俄政府流放。10岁时父母双亡,由舅舅抚养成长。17岁前往马赛,来到一艘法国商船上——这成为康拉德长达20年海上生涯的开端。此后他从水手一步步晋...
評分 評分黑暗深处有什么?这是个很恐怖的问题,谁知道黑暗深处会有什么?也许什么都没有,也许有美好的东西,也许是可怕的东西,因为看不到,所以一切都有可能,但是很奇怪,对这黑暗中的千万种可能总是下意识的觉得是不祥的所在。 约瑟夫·康拉德以及他的这本《黑暗深处》保...
評分1889年到90年期间,康拉德受一家比利时贸易公司之托前往刚果河一带,身份是一艘蒸汽船的船长---然而即使没有这段背景,我也总不由自主地把故事的第二讲述者---马洛---等同于作者:原因在于,我实在无法想象一位从来没有见识过河流和丛林、没有体验过神秘凄凉的黑暗、...
1/5
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评分1/5
评分越想越有味道~
评分不知道阿契貝的批評具體是怎麼分析的。但我覺得馬洛對庫爾茨的景仰其實是對白人的無意識的更深的嘲諷。一個具有人道主義思想和求真精神的白人還是會服膺於一個“滅霸”的“理想”與“智慧”,人性在精神麵前讓步和屈膝。證據是,庫爾茨的暴行是顯而易見的,而關於他的美德與智慧卻始終語焉不詳,是個傳說。他在彌留之際念念不忘的不過是為自己在雇主麵前求得“正義”,保住象牙。結尾格外隆重深沉的語言尤其加重瞭這種反諷效果——白人沒有能力越過自己的界限對殖民暴行進行道德反思,承認並說齣“恐怖”已經是最大的德行。康拉德的語言太好瞭。
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