This book is an engagingly written critical genealogy of the idea of “love” in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary, historical, philosophical, anthropological, and popular cultural genres from the late imperial period to the beginning of the socialist era. It traces the process by which love became an all-pervasive subject of representation and discourse, as well as a common language in which modern notions of self, gender, family, sexuality, and nation were imagined and contested.
Dr Lee earned her BA from Beijing University, China; MA from University of Chicago and PhD from Cornell University in 2002. She has taught in University of Colorado, University of Hong Kong. Currently She is a assistant professor in the Asian department at Stanford University.
非常细密和扎实的研究,读来酣畅淋漓,甚至改变了我对“文化研究”这一领域非常糟糕的印象。其小说与论战的文本选择,很好地融汇于现代主体(生成史)和民族国家的辩证法这一宏大议题,后者恰恰是由被作者频繁征引的查尔斯泰勒、麦金太尔、福柯、桑内特和一众后现代理论家所规...
评分 评分喜欢作者用一种客观又温情的上帝视角纵观中国文学史,在这其中,感觉和情爱都变成了折射民族心灵革命的窗口。文学不再是单纯的故事,成为了社会变迁思想变革点与点之间的流畅的连接。爱情不再是一种抑浪漫或叛国的单一情感,而是心灵多维进化的见证。这些痕迹自然而然地烙在千...
评分当我们在谈论爱情时,我们多数时候都是在谈论一句话、一个举动、一件事和一个人。可究竟什么是爱情?或者什么影响甚至构建了我们对爱情的认知?我们往往对自己越是习以为常的事物却越是知之甚少,同时当无知暴露出来时,我们也总能安之若素。可这些问题曾经并且现在仍旧困扰着...
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评分Intro+C4 (Micropolitics of Love): emotions-social order; sex radicalism-Freudo-Marxist. Haiyan Lee has been both insightful and inspiring as always.
评分Confucian-enlightenment.national sympathy. ”批判人类学倾向于reduce emotion in nonwestern cultures to the ahistorical antithesis of western constructs和争论love是不是universal之类的【有吗?】其实是想说对西方民族中心论有意见吗?…微妙的是评论里反倒有人觉得作者太“西方了”
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