安吉拉•卡特:英国当代最有影响力的女作家之一。作品类型横跨小说、诗集、戏剧作品、杂文、童书翻译与编纂。风格糅合魔幻写实、哥特与女性主义。在符号胜于实质的后现代世界,她以刻意浓烈夸张的文字批判景观社会异化人性的本质。
故事中世界遭受了核战争的重创,人类社会重归中世纪的模样。玛丽安被禁止离开白塔,可她被荒蛮的外部世界迷住了,决定逃跑。在铁丝篱笆之外她会发现一个衰朽的天堂,遇到纹身的野蛮人珠儿,并超越了她想象中最黑暗的界限。活泼、动人、暴力,同时扣人心弦。通过追溯神话的制造过程,卡特试图探讨文明社会中理性与想象的边界如何轻易模糊。
读《英雄与恶徒》和《霍夫曼博士的魔鬼欲望机器》,都提到这个“虎女”。当然前者里还有虎男。 这两本的“虎女”,都是不同的意思。 《霍夫曼博士的魔鬼欲望机器》中将老虎身上的纹路比喻为伤痕的这个写法,让我突然要重新审视一下《英雄与恶徒》了。 不过《英雄与恶徒》还是比...
评分“A love story set in a period when the word‘love’ was not part of the vocabulary.” She conceived of the novel as another version of the Fall (for a while, she flirted with calling it Adam and Eve at the End of the World) as well as“an attempt to cross ...
评分“A love story set in a period when the word‘love’ was not part of the vocabulary.” She conceived of the novel as another version of the Fall (for a while, she flirted with calling it Adam and Eve at the End of the World) as well as“an attempt to cross ...
评分“A love story set in a period when the word‘love’ was not part of the vocabulary.” She conceived of the novel as another version of the Fall (for a while, she flirted with calling it Adam and Eve at the End of the World) as well as“an attempt to cross ...
评分“A love story set in a period when the word‘love’ was not part of the vocabulary.” She conceived of the novel as another version of the Fall (for a while, she flirted with calling it Adam and Eve at the End of the World) as well as“an attempt to cross ...
难免会想到《霍夫曼》,野蛮的刑罚和强暴很熟悉很卡特。在这样魔幻的背景下女主角的心理变化倒真实得很。结尾认出时间的分界、站在命运的关键点的一刻,已经给了小说沉甸甸的尾声。
评分有一点想起大屠杀圣母。 除了奇诡的想象力与修辞,故事结构也算是特质之一,尾声的deja vu值得一个激灵。 爱欲矛盾纠结,英雄去魅赴死,世界是难以为继的景观。
评分有一点想起大屠杀圣母。 除了奇诡的想象力与修辞,故事结构也算是特质之一,尾声的deja vu值得一个激灵。 爱欲矛盾纠结,英雄去魅赴死,世界是难以为继的景观。
评分Divines or evils?
评分背景又是蛮荒式的末世乌托邦,科学与自然的对峙,主角误入另一部落世界的异化,与南北战争背景的《大屠杀圣母》有些微相通之处。 翻译比上一辑《爱》好多了,不过故事走到后面不如前面流畅。
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